Friday, May 24, 2019

‘Mean Girl’ Says to Thank Ayn Rand



Think We Live in Cruel and Ruthless Times? ‘Mean Girl’ Says to Thank Ayn Rand

By Jennifer Szalai NY Times


Ayn Rand liked to see herself as an ardent custodian of truth, but in her own life she had a hard time abiding too much reality. The critical recognition she craved mostly eluded her — her best-selling novels “The Fountainhead” (1943) and “Atlas Shrugged” (1957) were lurid, melodramatic, full of implausible characters and turgid harangues — and as her fame and notoriety grew, she retreated to the safe harbor of her acolytes.

Or presumably safe. As Lisa Duggan explains in “Mean Girl: Ayn Rand and the Culture of Greed,” when Rand’s affair with a much younger disciple soured in the late 1960s, her Objectivist movement — which venerated a single, knowable reality, rationally apprehended by gloriously self-interested individuals — seemed on the brink of collapse. “Emotion,” Duggan writes, “had brought down the house of reason.”

It’s the kind of strange, glaring paradox that makes Rand a useful emblem for our topsy-turvy moment, Duggan says. Rand’s simplistic reversals — selfishness is a virtue, altruism is a sin, capitalism is a deeply moral system that allows human freedom to flourish — have given her work a patina of transgression, making her beloved by those who consider themselves bold, anti-establishment truth tellers even while they cling to the prevailing hierarchical order. Not for nothing does her enormous fan base include Silicon Valley entrepreneurs, Tea Partiers, President Trump and innumerable adolescents.

But then her ideas are too rigid to be neatly amenable to any real-world programs. Duggan’s short book includes a long section on neoliberalism that seems, for a while, to lose sight of Rand. Despite her mentorship of Alan Greenspan, who would eventually become the chairman of the Federal Reserve, Rand was “not exactly a neoliberal herself,” Duggan writes. She also refused to support the election of Ronald Reagan, deriding him for succumbing to “the God, family, tradition swamp.” She was an atheist and a fierce advocate for abortion rights.

Now, almost four decades after Rand’s death in 1982, right-wing nationalism and evangelical Christianity are ascendant at the same time as economic globalization and the erosion of the welfare state. Is there anything that ties this turbulence together? Yes, Duggan says, but it isn’t the vaunted rationality that Rand fetishized as much as it is the feelings she validated. “The unifying threads are meanness and greed,” Duggan writes of the current moment, “and the spirit of the whole hodgepodge is Ayn Rand.”

Rand wasn’t an especially sophisticated thinker who delved into primary texts to elaborate her philosophical system; she did, however, have a flair for the dramatic. One of her first jobs after emigrating from the Soviet Union to the United States in 1926 was as a scriptwriter for Cecil B. DeMille. She brought that theatrical sensibility to novels like “The Fountainhead,” which, in Duggan’s astute appraisal, offers “numerous plot twists but no real surprises.” In both “The Fountainhead” and “Atlas Shrugged,” Rand strenuously played to the aspirations and desires of her readers. “Ayn Rand made acquisitive capitalists sexy,” Duggan writes. The novels “are conversion machines that run on lust.”

As befitting machines, the novels seem less literary than en
gineered. The Randian heroine is a Mean Girl — tall, svelte, severe. The Randian hero is a Mean Boy — tall, muscular, severe. Her villains are short and doughy, cursed with receding chins and dandruff. The undeserving weak exploit the worthy and the strong. The United States she depicts is ahistoric and sanitized for her readers’ consumption — “a clean slate for pure capitalist freedom, with no indigenous people, no slaves, no exploited immigrants or workers in sight,” Duggan writes. In “The Fountainhead” and “Atlas Shrugged” there’s certainly sex but no pregnancies; nothing that might interfere with all the creative destruction her characters have to do.

Duggan, a professor of social and cultural analysis at New York University and the author of previous books about gender, sexuality and cultural politics, says that her “weird obsession with Ayn Rand began many years ago.” She calls “Atlas Shrugged” “heavy-handed, hectoring, relentless,” but allows that it is “also iconoclastic, sometimes surprising and even occasionally funny.”


What seems to fascinate Duggan most is how Rand — with her unyielding worldview, her extreme, sweeping statements and her intolerance of dissent — has somehow managed to be reclaimed by those she so cruelly deplored. Rand described homosexuality as “immoral” and “disgusting,” yet her “rages against the strictures of family, church and state appeal to many L.G.B.T.Q. readers.” The younger generation of libertarians who approvingly cite Rand today might be surprised to learn that she derided their forebears as “hippies” and, with typical hyperbole, “a monstrous, disgusting bunch of people.

But this is what happens when you devise a philosophical system in which every human relationship is transactional: Before you know it, you’ll get co-opted and commodified too.

Duggan paints Rand as cynical and shrewd in some ways, and hapless and naïve in others. In 1947, Rand volunteered to appear before the House Un-American Activities Committee as a friendly witness, delivering histrionic testimony that managed to alienate everyone, suggesting that she “never fully grasped” how Hollywood worked, or how government worked, or how the balance of power worked between the two. She liked to affect a steely, imperious persona, but she was deeply insecure and easily wounded. She developed a debilitating amphetamine habit. Her fictional heroes marched forth and conquered life, but real life kept throwing her for a loop.

Rand was most successful as a fantasist and “propagandist,” Duggan writes, who provided “templates, plot lines and characters” that gave selfishness an alluring sheen. In Rand’s universe, capitalism was glamorous and liberating, with none of the mundane concerns — haggling over health insurance, paying off student loans, scrambling for child care, managing precarious employment — that consume so much of everyday American experience.

Reading Duggan on Rand’s current fans made me think of the 1946 preface to Rand’s early novel “Anthem,” in which she railed against “the people who support plans specifically designed to achieve serfdom, but hide behind the empty assertion that they are lovers of freedom.” Surveying the wreckage, such people expect “to escape moral responsibility by wailing: ‘But I didn’t mean this!’”

Tuesday, May 14, 2019

A Hip Sex Goddess


Doris Day: A Hip Sex Goddess Disguised as the Girl Next Door



By A.O. Scott The New York Times

The Hollywood Reporter obituary for Doris Day describes her in the headline as “Hollywood’s Favorite Girl Next Door,” which is reasonable enough, if not terribly imaginative. Day, who was 97 when she died on Monday, broke through as a singer in the mid-1940s and crossed over into movie stardom in the next decade. She’s still often remembered as an avatar of the postwar, pre-counterculture pop culture mainstream: wholesome, friendly, sexless. Accordingly, the first adjective applied to her in that article’s summary is “virginal.”

That word evokes a leering one-liner attributed to the musician and wit Oscar Levant, who said he “knew Doris Day before she was a virgin.” Levant’s joke depends on a category mistake, confusing the persona of a star with her person (Day was married three times), even as it misses the joke tucked into the persona itself. The v-word applied to Day signals the acceptance of an alibi that was never meant to be believed in the first place, the literal-minded gloss on a text that was only there to beckon us toward the subtext.

The truth, hidden in plain sight in so many of her movies and musical performances, is that Doris Day was a sex goddess. That’s not a term we use much anymore (for good reason), and in its heyday it was generally applied to actresses who wielded their erotic energies more nakedly, so to speak.

Day wasn’t a glamorous blond enigma like Grace Kelly or Kim Novak — though she did, like both of them, work with Alfred Hitchcock. She was not a Hollywood bombshell in the manner of Marilyn Monroe (or Mamie Van Doren, with whom she competed for Clark Gable’s attention in the 1958 comedy “Teacher’s Pet”). And she certainly didn’t work in the same erogenous zone as European actresses like Brigitte Bardot and Sophia Loren, who promised sophisticated American moviegoers a glimpse of freedom from Puritanical inhibition, and sometimes also from clothes.

But it’s too easy to say that Day was simply the opposite — the prim, prudish, all-American avatar of Eisenhower-era repression, with her hair in a neat chignon and her figure sheathed in a soberly tailored suit. To see her that way is to take at face value an archetype that she did everything in her formidable power to subvert.

Really, though, the whole virgin thing doesn’t even rise to the level of archetype. It’s an artifact of a movie censorship system that was, in the years after the Kinsey Report, rapidly losing touch with the realities of American behavior, and with the rest of popular culture as well.

In the canonical romantic comedies she made with Rock Hudson — “Pillow Talk” and “Lover Come Back” two years later — Day, in her late 30s, played unmarried New York career women.

Jan Morrow in “Pillow Talk” is an interior designer with a thriving, if hectic, business. Her counterpart in “Lover Come Back,” Carol Templeton, is a high-ranking executive in a Manhattan advertising firm. They are (implicitly) virgins by fiat of the production code, but really it’s up to the audience to decide how credible it is that neither one has managed to sleep with anyone until Hudson shows up. (When Hudson and Day reunited for “Send Me No Flowers” in 1964, they were playing husband and wife, and it wasn’t as much fun.)

The simple, sexist premise of these movies — and also of“Teacher’s Pet,” in which Day’s uptight professor is seduced by Gable, her most unlikely student — is that Day needs a raffish he-man to come along and ruffle her feathers with his sheer masculine irresistibility, getting her into bed with the benefit of clergy. But that pursuit is played out by means of a plot that relishes its own ridiculousness. The color schemes and production designs in the Hudson-Day comedies pulsate with whimsy. The atmosphere is pure camp, of the zany rather than the melodramatic variety. Every line sounds like a double-entendre. Every encounter is full of implication and innuendo, every character a collection of mixed signals.

These movies are naughty beyond imagining, and as clean as a whistle. In “Pillow Talk” — in effect the first movie about the pleasures and consequences of phone sex — Hudson and Day take a bath together. It’s a split-screen shot, but still.

The plot of “Lover Come Back” turns on the mass marketing of a powerful, possibly hallucinogenic drug. Heterosexual courtship under the mandate of matrimony has rarely looked so kinky. We’re not even talking about what it means that Rock Hudson is the male lead. The ambiguity is ambient. The deniability is perfect, and perfectly preposterous.

Day is the key to it all, because her presence simultaneously upholds the pretense of virtuous normality and utterly transgresses it. She is a walking semiotic riot with a pert nose and a winning smile, keeper and scrambler of a whole book of social norms and cultural codes.

To see what I mean, consider a scene from “Pillow Talk” in which Jan takes Brad Allen (Hudson’s playboy classical-music composer) to a nightclub. It’s maybe daring for his square sensibilities, which is to say that the music is being performed by black people. (The clientele is all white.) It turns out that his date is familiar with the musicians, and the music. Midway through a song called “Roly Poly,” the pianist and singer (Perry Blackwell) invites Jan to take a verse — “come on Miss Morrow, you know this one” — and pretty soon Brad is clapping along. By the chorus, he and Jan are playing patty cake, and pretty soon the whole joint is singing about the satisfactions of a lover who is built for comfort rather than for speed.

It’s impossible not to interpret this number as a cringe-inducing spectacle of cultural appropriation, pushed to and past the point of parody. The sexual and racial undercurrents eddy and swirl under a surface of pure silliness. In old Hollywood movies, African-American music is a complicated signifier, not least for the white characters who appreciate it. In not-so-old movies, too. When, for example, Ryan Gosling takes Emma Stone to listen to jazz in “La La Land,” he is telling her, and us, something about the kind of guy he is. He’s claiming access to, and a share of, what the music represents. Passion. Authenticity. Sex, too, of course.

In 1959, one name for this transaction — which might look from one angle like a gesture of respect, from another like an act of brazen existential plunder — was “hip.” It was a noun as much as an adjective, and it was not a word that anyone would have thought to apply to Doris Day. Partly because she was too canny to take it seriously, notwithstanding her serious interest in African-American music.

In “Love Me or Leave Me,” a show-business biopic from 1955, she performs a version of Irving Berlin’s “Shaking the Blues Away,” wearing a low-cut bright-blue gown slit up to her thigh. The lyric’s absurd evocation of religious revivals “way down South” gives way to a stage full of male chorines in top hats and tails, as Day belts out a paean to dancing that is a rollicking celebration of … something else. She’s singing the language of rock ’n’ roll at the moment of rock ’n’ roll’s emergence, but what she’s doing is … something else. She’s messing with all our categories. Which was her great and underappreciated gift.

Monday, April 29, 2019

Turf Wars, Songbird-Style


Turf Wars, Songbird-Style

In springtime, everything in nature loves a wall. 

By Margaret Renkl NY Times
Contributing Opinion Writer


NASHVILLE — I was eating lunch on our front stoop last week when a flock of European starlings descended all at once, covering our yard in a commotion of strutting and whistling and picking and whirring. The spring wildflowers were all bloomed out, nothing left but greenery, so my husband had mowed the meadow in front of our house into some semblance of a suburban lawn. A freshly mowed yard means fewer places for insects to hide, and the starlings got busy gleaning and digging.

I am no fan of European starlings. I would like European starlings just fine if they had stayed in Europe, but some foolish Shakespeare aficionados, determined to introduce into this country every bird ever mentioned in Shakespeare, released 100 starlings in New York City’s Central Park during the 19th century. The more than 200 million starlings in North America today descended from those first 100 birds.

Starlings compete for nesting cavities with native cavity-dwellers: bluebirds and tree swallows, woodpeckers and chickadees, wood ducks and tufted titmice. There’s a pair nesting in a woodpecker’s hole in a tree in front of my neighbor’s house, and three pairs nesting in the hollow window frames of another neighbor’s house. Every time I pass by them, I glower out of nothing but old habit. A 2003 study disputed long-held assumptions that starlings displace native birds. “Only sapsuckers showed declines due to starlings,” according to the Cornell Lab of Ornithology; “other species appeared to be holding their own against the invaders.” But long-held assumptions are hard habits to break, and I have never warmed to these gregarious birds.

The bluebirds that have chosen the nest box in our front yard share my dislike. The male bluebird set up an angry clicking from his perch in a nearby maple as soon as the flock landed in our yard, and when one of them had the nerve to peer into the nest-box hole — which is, by design, too small to admit a starling — he immediately dived at the intruder’s head, startling it so thoroughly that it fell to the ground before it could stop its headlong tumble and fly away.

The rest of the starlings were unperturbed by this spectacle, but the female bluebird inside the box was drawn to the fray, peeking out of the hole of the nest box as her mate staged unceasing guerrilla raids on the intruders from a low-hanging branch in his lookout tree.

As soon as a starling bent to stab its bill into the soil, the male bluebird hit it in the head from above and was gone again before it could discern the source of its torment. Divebombing one starling after another, the bluebird carried on his relentless territorial campaign. Finally, through no signal that I could discern, the starlings lifted as one and disappeared into the sky. The bluebird, badly outnumbered by larger birds, had successfully driven them all away.

Matters always get tense during nesting season. “The dawn chorus” is what we call the springtime music that fills the trees at break of day this time of year, but it is nothing like a human chorus. Birds sing to attract a mate, and they sing to establish territory. And that territorialism is deadly serious.

While the bluebird was successfully repelling the flock of starlings, I later discovered, a tiny house wren was pulling all the moss and all the speckled eggs out of the nest box on the other side of the house. Instead of a chickadee’s mossy nest, that box now holds a house wren’s nest of sticks. Audubon still lists Tennessee as uncommon breeding territory for house wrens, but they have nested in our yard for at least five years. Every year they wreak havoc on the chickadees, and often on the bluebirds, too.

I can hardly fault them for doing exactly what the bluebirds are doing: staking out a claim and defending it against encroachers. I tell myself, too, not to fault the red-bellied woodpecker, which this year has taken an inexplicable interest in my safflower feeder, for driving away the rose-breasted grosbeaks that have finally arrived here on their long migration north. I wait for the grosbeaks every spring, and I buy that expensive safflower seed for two reasons: 1) starlings don’t like it, and 2) grosbeaks do. And now this furious woodpecker keeps driving them away.

I can’t help thinking about these avian territorial disputes every time the president of the United States weighs in on the subject of immigration. The president is determined to “defend our border,” as though we were under some kind of military siege, never mind that the boundary he’s so eager to defend was established by actual bloodshed — the blood of human beings who were here first.

Just as there are enough insects in my yard for both starlings and bluebirds, enough safflower seeds for both the local birds and the wayfaring strangers, there is plenty of room in this country for the people who already live here, as well as for the refugees who are desperate to come in, but the president’s base doesn’t believe that. Those poorer voters — whose anti-immigrant anger is energetically encouraged and exploited by the president’s wealthy constituents — are still howling, “Build that wall!” even as they continue to vote for politicians whose policies add to their own impoverishment — suppressing wages, gutting public schools, blocking access to health care, increasing gun violence, poisoning the places where they live.

Nevertheless, they direct their anger outward. Every newcomer is an alien competing for resources, and resources are already hard enough to come by in their own lives.

This is an argument from analogy, of course, and arguments from analogy inevitably falter because they’re reductive: The analogues are never perfectly equivalent. Human beings aren’t birds. We are capable of understanding and accepting logical arguments. We are capable of acting on moral and ethical imperatives. But springtime is a reminder that we — all of us, liberals and conservatives alike — are also creatures subject to the same atavistic impulses that drive the natural world. And when it seems as though there’s not enough to go around, nature will always have the upper hand.

Tuesday, April 23, 2019

Emma Goldman’s Bookshelf


Emma Goldman’s Bookshelf

By Candace Falk as told to Cori Brosnahan (PBS)
Bombing-Wall-Street-IdealBookshelf1048-EmmaGoldman.jpg


 To understand the people who've profoundly impacted history, we're exploring the books that profoundly impacted them. Here, Candace Falk, founding director of the Emma Goldman Papers research project at the University of California, Berkeley, tells us about the anarchist thinker's interest in edgy literature, passion for European plays, and deep study of the writers who shaped the U.S. Constitution. 

You might be surprised to know that a lot of what influenced Emma was literature. When she was young in Russia, she read this novel by Chernyshevsky called What Is to Be Done?  — Lenin actually took that title for a pamphlet he wrote later. But Chernyshevsky’s novel was about cooperative living, about people who lived together who weren’t married, who shared their money, who had interchangeable partners within their household. And this was an inspiration to Emma as a vision of another way to live. That Chernyshevsky novel was high on the list of the things she read and cared about.

Then, when she came to the U.S., she just read endlessly. At first in Russian, German, and Yiddish, and progressively more in English. She was so interested in being modern, being cutting edge. She was always going on to the next thing. There were some novels like Comrade Yetta that she liked because it was about a Jewish immigrant who came to New York. Emma identified with the immigrant experience. She never denied her Jewish roots, and actually attributed her perseverance to the perseverance of her people. But I do think she had a little bit of an aversion to all who only stuck to their own culture.

Various people who worked with her — anarchists from Austria, Germany, or Russia — gave her lists of books to read. Beauty and elegance and language were all part of what an anarchist needed to know. She read writers like Tolstoy, Dostoevsky, and Turgenev. She took on Emil Zola, Olive Schreiner, and Frank Harris. She read Galsworthy, George Sand, George Eliot, and D.H. Lawrence. Theodore Dreiser was important. So was Mark Twain — she appreciated him as an American humorist, with an edge.

She was close to Jack London. She really liked his stories, and admired his accessibility and commitment social justice. She even asked him to write the introduction for Prison Memoirs of an Anarchist by Alexander Berkman, her “chum of a lifetime.” London wrote an interesting introduction, but in the end, Goldman and Berkman rejected it because it kind of dissed anarchism and held up socialism as the real thing.

Of course, she was completely entranced with the theater (as a lecturer, she was quite theatrical herself). She read Ibsen and Strindberg. She loved George Bernard Shaw, who wrote Mrs. Warren’s Profession to show the economic realities that foster prostitution. Gerhart Hauptmann was also one of her heroes. He wrote the play Lonely Lives. It acknowledges the inner struggle of the person who has a vision of a better life but has to live in the world in which they exist. There’s this gap, this loneliness of being in-between and often misunderstood. Emma identified with that.

In French drama, one of the plays she liked was about Chanticleer. Chanticleer is a rooster who suddenly finds out that he’s not the one who makes the sun rise — but still has to prepare the people to meet it. I think Emma identified with that, too. The sun of anarchy was not going to rise during her lifetime, but she took it as her task to prepare people with an image of what it might look like.


Emma wanted to introduce people — in the United States, especially — to European theater, which had a stronger connection to political critique. She wrote a book called The Social Significance of the Modern Drama, which included dramatists from Scandinavia, Germany, France, England, Ireland, and Russia. She believed that the theater shouldn’t be only for the rich and the privileged. She once gave a drama lecture in a mineshaft.

She had many friends who were writers. She was very influenced in an interesting way by Margaret Anderson, an avant-garde lesbian writer, who was the editor of a literary magazine called The Little Review. Anderson took chances when she published James Joyce, Ezra Pound, William Butler Yeats, and Djuna Barnes, most of whom were considered offbeat and controversial at the time.

Emma gravitated toward edgier stuff, too. There was one novel she really liked called Three Weeks that was very out there in terms of sexuality and was banned. Emma’s magazine, Mother Earth, was a conduit for people to order hard-to-find books, including some that were banned. And there was a Mother Earth bookshop in Greenwich Village that eventually had to close because it was also a great place for government surveillance agents to catch and arrest young men who had not registered for the draft.

In terms of theory, she had a patchwork of influences. That was one of the most interesting things about her — how she would take a little bit from this person and a little bit from that person. She wasn’t a dogmatic follower of anybody, but she liked to popularize their ideas and weave them into a new fabric of her own.

From Mikhail Bakunin, she took the spirit of revolt and a strong atheist streak and ideas of anarchist collectivism. But she distanced herself from Bakunin’s economic theories in favor of Peter Kropotkin’s. She was actually very close to Kropotkin. He emphasized the right of individuals to the resources necessary to meet their basic needs — giving what one could, but taking only what one needed from the shared accumulation of wealth.
She incorporated ideas on insurrectionism from Errico Malatesta and the early Johann Most. To her, individual acts of political violence were an inevitable response to the state’s use of violence to maintain its power. What can I say? She came from Russia, where that actually did change things, and it took a while to figure out what would work here and what wouldn’t.

She also read Friedrich Engels’ The Origins of the Family, Private Property, and the State. A lot of the anarchists read that. They shared the perception that marriage was an economic arrangement and the primary foundation for the concept and practice of private property.

Early American thinkers influenced her as well. She read Thomas Jefferson and Thomas Paine with great interest. Goldman shared their concern for protecting individual freedom and their worries about the tyranny of too much government. She incorporated ideas of civil disobedience from Thoreau, and found kindred spirits in American rebels like Wendell Phillips, and the more militant John Brown. Most of all, she celebrated the unharnessed spirit through the writings of Walt Whitman.

She lectured on Nietzsche — his theories about the centrality of individual will outside of conventional morality. She also read Freud. His assertion about the centrality of sexuality had a big impact on her. Although for Freud a lot of creativity came from a suppression of sexual urges, and for Goldman creativity came from expressing your sexual urges.

There are some people who think that she didn’t have any ideas of her own, who think she wasn’t an original thinker. That makes me upset. What they don’t get is — first of all, what’s original? If anybody could be called original, it was her. Second of all, she took it as her mission to educate people about ideas that would move them forward. She didn’t tout herself as a theorist in the way others did. She really was a public intellectual in the best sense — and reading both informed and expanded the breadth of her life and her work.



Thursday, April 18, 2019

WHAT’S NEW ABOUT CONSPIRACY THEORIES?


WHAT’S NEW ABOUT CONSPIRACY THEORIES?
Outsiders have always had a weakness for paranoid fantasies. Now our leaders are conspiracists, too.

By Elizabeth Kolbert The New Yorker

Crazy ideas have long been a fixture of American life. Now paranoia thrives at the center of power, not just the fringes.


On the morning of December 4, 2016, Edgar Maddison Welch, a warehouse worker and a father of two from Salisbury, North Carolina, told his family that he had a few things to do; loaded an AR-15, a .38-calibre revolver, and a folding knife into his car; and headed for Washington, D.C. Welch’s intention, he later told police, was to “self-investigate” a plot featuring—in no particular order—Hillary Clinton, sex trafficking, satanic rituals, and pizza.

At around 3 p.m., Welch arrived at Comet Ping Pong, a restaurant in Chevy Chase, where, he believed, children were being held in a network of tunnels. He made his way to the kitchen, shot open a locked door, and discovered cooking utensils. In an interview from jail, a few days later, he acknowledged to the Times, “The intel on this wasn’t a hundred percent.” He’d found no captive children in the restaurant’s basement; in fact, as many accounts of the incident noted, Comet Ping Pong doesn’t even have a basement.

Far from being dissuaded by the new “intel,” believers in what had become known as Pizzagate dug in. Welch had dabbled in acting—he’d appeared as a victim in a low-budget slasher movie—thus, it followed, his raid on the restaurant had been staged. That the plotters had gone to such lengths to cover their tracks showed just how much evil there was to hide. “This shit runs very deep,” a contributor to the subreddit thread r/Conspiracy wrote. All the while, the restaurant’s owner was receiving death threats.

Some ten months after the incident at Comet Ping Pong, a prediction surfaced on the Web that Clinton would soon be arrested. “Expect massive riots organized in defiance,” an anonymous poster, Q, warned on the message board 4chan. Other prophecies followed: Clinton’s campaign chairman, John Podesta, would also be arrested; members of the media would be “jailed as deep cover agents”; there would be a Twitter blackout heralding a government purge.

As Q’s prophecies failed, more converts were won over. QAnon, as Q’s world view came to be known, subsumed—or, if you prefer, consumed—Pizzagate, and then it, too, slunk off the Web and into the world. Last June, an unemployed former marine named Matthew Wright parked a home-built armored truck on the Mike O’Callaghan–Pat Tillman Memorial Bridge, which spans the Colorado River on the border of Arizona and Nevada. Wright, who, like Welch, was armed with an AR-15 and a handgun, blocked traffic for almost ninety minutes before surrendering to police. At one point, he held up a sign that said “Release the OIG report,” a reference to another QAnon prediction, involving the Justice Department’s Office of the Inspector General. Following his arrest, Wright wrote a letter to the White House saying that he “simply wanted the truth on behalf of all Americans, all of humanity for that matter.”

America has always had a weakness for paranoid fantasies. According to some historians, the Founding Fathers were moved to write the Declaration of Independence by groundless fears of a British plot. “Conspiracy Theories in American History,” a two-volume encyclopedia, runs from “Abolitionism” to “zog.” (zog, an acronym used by survivalists, is shorthand for the “Zionist Occupied Government,” which, the encyclopedia explains, refers to an “international Jewish conspiracy to undermine U.S. sovereignty and true Christianity.”) In between are some three hundred entries, including “Black Helicopters,” “Contrails,” “Illuminati,” “Moon Landings,” “Pan Am 103,” and “Roswell.”

In this context, Pizzagate and QAnon could be considered madness as usual—just two late-alphabet entries in the annals of national crankdom. But is that all there is to it? Or are deeper, darker forces at work? A confirmed conspiracist now occupies the White House and, “no collusion” notwithstanding, there’s evidence that an international conspiracy put him there. Coincidence? To paraphrase Q, perhaps it’s time to “expand our thinking.”

Russell Muirhead and Nancy L. Rosenblum are professors of government at, respectively, Dartmouth and Harvard. A few years ago, they found themselves, in their words, “startled into thought.” Yes, they knew, crazy ideas were a fixture of American life. But not this crazy. “The subject required more detailed and thoughtful interpretation,” the two write at the beginning of “A Lot of People Are Saying: The New Conspiracism and the Assault on Democracy.”

“Classic” conspiracy theories, according to Muirhead and Rosenblum, arise in response to real events—the assassination of John F. Kennedy, say, or the terrorist attacks of September 11th. Such theories, they argue, constitute a form of explanation, however inaccurate they may be. What sets theories like QAnon apart is a lack of interest in explanation. Indeed, as with the nonexistent child-trafficking ring being run out of the nonexistent basement, “there is often nothing to explain.” The professors observe, “The new conspiracism sometimes seems to arise out of thin air.”

The constituency, too, has shifted. Historically, Muirhead and Rosenblum maintain, it’s been out-of-power groups that have been drawn to tales of secret plots. Today, it’s those in power who insist the game is rigged, and no one more insistently than the so-called leader of the free world.

Donald Trump got his start in national politics as a “birther,” promoting the idea that President Barack Obama wasn’t born in the United States. Several news organizations have tried to keep track of the conspiracy theories Trump has floated since then. One list, posted by the Web site Business Insider, has nineteen entries. These include the claims that vaccines can cause autism and that Supreme Court Justice Antonin Scalia may have been murdered.

“They’re saying they found the pillow on his face,” Trump said of Scalia, during the 2016 campaign, “which is a pretty unusual place to find a pillow.” (The Business Insider list is limited to full-blown conspiracy theories, and excludes the President’s more casual lies and fabrications.) “No president—indeed, no national official—has resorted to accusations of conspiracy so instinctively, so frequently, and with such brio as Donald Trump,” Muirhead and Rosenblum write.

With Trump in power, they worry, there’s a danger that his dark fantasies may be realized. Democracies depend on buy-in; citizens need to believe in certain basics, starting with the legitimacy of elections. Trump both runs the government and runs it down. The electoral system, he asserts, can’t be trusted. Voter fraud is rampant. His contempt for institutions ranging from the courts (“slow and political”) to the Federal Communications Commission (“so sad and unfair”) to the F.B.I. (“What are they hiding?”) weakens those institutions, thereby justifying his contempt. As government agencies “lose competence and capacity, they will come to look more and more illegitimate to more and more people,” Muirhead and Rosenblum observe.

Trump is so closely tied to the “new conspiracism” that it can be hard to tell the ranter from the rant. Then again, it’s hard to imagine his ascent without other key developments: the polarization of the electorate, a generation of attacks (mostly from the right) on the news media and government, and, of course, the rise of the Web. Spreading conspiracy theories once had a price—printing or even mimeographing a tract costs money—but now, as Muirhead and Rosenblum point out, anyone can post a madcap theory or a doctored photograph virtually for free.

The Internet revolution “has displaced the gatekeepers, the producers, editors, and scholars who decided what was worthy of dissemination,” they write. This has opened the way for “conspiracy entrepreneurs” who proffer “a seemingly infinite array of wild accusations.”

Is it possible to make a rigorous study of conspiracy theories? The task seems self-punishing, like trying to housebreak a chicken. Nevertheless, this is the mission that Joseph E. Uscinski and Joseph M. Parent have chosen to take on. Research into conspiracy theories “has been hampered by a lack of long-term systematic data,” Uscinski and Parent, political scientists at the University of Miami and the University of Notre Dame, respectively, write in “American Conspiracy Theories.” Fortunately, “methods are now available to better scrutinize what we think we know.”

One of these methods is polling. Uscinski and Parent commissioned a survey of more than twelve hundred Americans, which asked them to react to statements like “Much of our lives are being controlled by plots hatched in secret places.” On the basis of their answers, respondents were sorted into three groups: “high” (those predisposed to conspiratorial thinking), “low” (those opposed to it), and “medium” (those in the middle). Then the researchers looked at the cross-tabulations. The less educated the respondent, the more likely he or she was to be a “high.” The poor tended to be more conspiratorially inclined than the rich. Roughly equal proportions of Democrats and Republicans were given to conspiracizing, but among respondents who identified with neither party the proportion jumped.

The conspiracy-minded, Uscinski and Parent conclude, “deserve their reputation as outsiders.” They are less likely to vote and more apt to view bloodshed as a form of political protest. While eighty per cent of the “lows” rejected the idea that “violence is sometimes an acceptable way to express disagreement with the government,” among the “highs” that figure dropped to fifty-nine per cent. “It is disconcerting that, when asked about gun control, around half of those with higher conspiratorial predispositions wanted less strict gun laws,” Uscinski and Parent observe.

For more long-term data, they turned to newspapers. A battery of assistants sifted through more than a hundred years’ worth of letters to the editor published in the Times and in the Chicago Tribune. Letters that referred to any sort of group acting in secret “at the expense of the common good” were coded as “conspiracy talk.” (No effort was made to distinguish between “talk” about actual conspiracies, e.g., Watergate, and baseless speculation.) The groups denounced in such missives included the usual suspects—Catholics, Communists, Jews, the United Nations—as well as more surprising targets: ice companies, Lutheran newspapers, the Senate printing office, and the Prime Minister of Malta. The schemes, too, ranged all over the diabolical map, from Herbert Hoover’s secret business deals to bankrupt the U.S. to a C.I.A. plot to spread lesbianism.

When Uscinski and Parent tallied the number of conspiracy-coded letters published each year, they found no twenty-first-century surge in paranoid thinking. On the contrary, averaging out the short-term ups and downs, they conclude that the amount of “conspiracy talk” has remained constant since the nineteen-sixties and has actually declined since the eighteen-nineties: “We do not live in an age of conspiracy theories and have not for some time.” That we believe we do makes sense, since that sentiment, too, is a constant.

“It’s official: America is becoming a conspiratocracy,” the Daily News announced in 2011. “Are we living in a golden age of conspiracy theory?” the Boston Globe wondered in 2004. It’s the “dawn of a new age of conspiracy theory,” the Washington Post declared in 1994.

“Presumably we could multiply examples back to Salem in 1692, but you understand the point,” Uscinski and Parent write. “Conspiracy scares are ubiquitous.” According to their analysis, short-term variations in the rate of conspiracy theorizing do not coincide with changing economic conditions or advances in technology, like the Web.

Such is their take on “scares” that it’s hard to imagine them finding anything new in the “new conspiracism.” Still, when it comes to paranoia in high places, they share some of Muirhead and Rosenblum’s concerns. When there’s an uptick in conspiracy theorizing by members of the “élite”—defined as government officials, entertainers, and journalists—they observe a corresponding uptick in paranoid theorizing more generally. “This means you, Donald Trump,” they write.

In 2015, a young journalist named Anna Merlan took a cruise to Mexico. Most of the passengers on board the ship, the Ruby Princess, were ordinary vacationers, but a significant minority had signed on for a cruise-within-a-cruise, dubbed by its organizers Conspira-Sea. The Conspira-Sea crowd was treated to lectures from various “experts,” including Andrew Wakefield, the British doctor whose bogus studies launched the anti-vaxx movement. When Merlan returned to shore, she wrote a lighthearted feature about the experience, for the Web site Jezebel, in which she poked fun at the Conspira-Sea-ers for having lost touch with reality. Then Trump was elected and Edgar Welch showed up with his guns at Comet Ping Pong. Merlan decided that perhaps she was the one who was out of touch.

In “Republic of Lies: American Conspiracy Theorists and Their Surprising Rise to Power,” Merlan immerses herself in various subcultures of suspicion. She visits a gathering of white nationalists in eastern Kentucky; attends the annual meeting of the Mutual U.F.O. Network, known as mufon; and hangs out with proponents of “redemption theory,” a strain of nuttiness based on the idea that every American is owed a cache of cash held secretly by the government. One of her first stops is a rally of Pizzagate diehards in Lafayette Park, not far from the White House. This takes place in March, 2017, three months after Welch’s arrest. Merlan finds the crowd split into factions, each convinced that the other is made up of plants. She’s interviewing a woman who wants to be known as LaLa when she notices a man filming them with his phone. The man accuses LaLa of belonging to the “controlled opposition.” He, in turn, is approached by other phone-wielding demonstrators and charged with working to undermine the cause.

“You’re protecting child molesters, bro,” someone yells at him. But who’s supposed to be doing the controlling or why is never quite clear. “It seems that the core element from everyone inside this ‘movement’ is distrust for everyone around them,” LaLa relates to Merlan. “Nobody knows who’s on whose side, or what the truth is.”

Merlan encounters this dynamic frequently. People who believe conspiracy theories, it turns out, often suspect others who believe such theories of being crazy, or worse. At the mufon conference, just outside Las Vegas, a speaker named Corey Goode, an eminent figure in the world of ufology, describes how, as a kid, he was taken to an underground facility at Carswell Air Force Base, in Texas, and trained to fight aliens. Later, Goode maintains, he roamed around the solar system doing “surveillance and recon,” until, finally, his government handlers performed “age regression” and sent him back home, once again as a child. Another U.F.O. researcher at the convention, Richard Dolan, tells Merlan he’s worried about claims like Goode’s, which “aren’t particularly credible.” Like the crowd in Lafayette Park, Dolan is concerned about plants, who he fears are out to undermine the whole ufology enterprise. History, he observes, is “replete with provocateurs and disinformation coming from U.S. government channels.”

Americans, as Merlan notes, have long suspected the government of suppressing the truth about extraterrestrials—such suspicions probably predate the term “extraterrestrial.” Other conspiracy theories, she observes, have even deeper roots. The charge of ritual child abuse, key to Pizzagate, was levelled against the Jews back in the Middle Ages. It has surfaced many times since, including during what’s become known as the Satanic Panic—a rash of allegations that sent more than twenty Californians to prison in the nineteen-eighties. (Virtually all the convictions have since been overturned.) Conspiracism, Merlan concludes, has “more or less always been with us”: pizza-parlor workers have simply replaced day-care workers, who replaced Jews.

But she also makes the opposite point. Like Muirhead and Rosenblum, Merlan believes that something novel and dangerous is going on right now. In her account, Trump gets a lot of the credit (or, if you prefer, the blame) and so, too, does the Internet. Merlan cites the Columbine shooting, which took place in 1999, “before the age of YouTube, easily buildable blogs, and widely used social media platforms.”After the shooting, no one came forward to propose that Columbine had been staged. Today, it is pretty much guaranteed that a mass shooting will give rise to a community on the Web that insists the victims are “crisis actors.” Merlan interviews Lenny Pozner, a former I.T. consultant whose six-year-old son, Noah, died in the Sandy Hook Elementary School shooting, in 2012. Pozner has spent most of the past six years battling conspiracists who insist that the shooting never happened and that Noah never even existed. (In February, a Connecticut judge ordered Alex Jones, the owner of the Web site Infowars and a leading purveyor of the Sandy Hook-as-hoax theory, to sit for a deposition in a lawsuit brought by the parents of slain children. In the deposition, in March, Jones claimed that a “form of psychosis” had made him believe the massacre was staged.)

“This category of recent conspiracy theorists is really a global network of village idiots,” Pozner tells Merlan. “They would have never been able to find each other before, but now it’s this synergistic effect of the combination of all of them from all over the world. There are haters from Australia and Europe and they can all make a YouTube video in fifteen seconds.”

During the 2016 Presidential election, Zeynep Tufekci was watching tapes of Trump rallies when she noticed something odd. Tufekci, an associate at Harvard’s Berkman Klein Center for Internet and Society and a self-described techno-sociologist, found that YouTube began cuing up for her videos filled with racist diatribes and Holocaust denials. She wondered what was going on, so she created another account and began watching clips of Hillary Clinton and Bernie Sanders. This time, she found herself directed to what she later described in the Times as “videos of a leftish conspiratorial cast,” including some that argued that the U.S. government was responsible for the attacks of September 11th.

Tufekci concluded that YouTube had decided that the best way to hold viewers’ attention was to push them toward more and more sensational material. The motive wasn’t political; it was commercial. And probably the scheme wasn’t the work of a cabal, or even a person, but of an algorithm. “What we are witnessing is the computational exploitation of a natural human desire: to look ‘behind the curtain,’ ” Tufekci wrote.

At a minimum, what’s new about the “new conspiracism” is the number of people exposed to it. If there’s a “natural human desire” to get at some hidden truth, it’s never been easier to indulge that desire—or to imagine doing so—via YouTube or Infowars or Twitter. It’s unclear how many of those who are led to posts on the “truth” about 9/11 or listen to Alex Jones or follow Trump’s tweets actually believe what they encounter, but only a tiny fraction can create a very big problem; after all, almost two billion people click on YouTube videos every month. In a tacit acknowledgment of responsibility, Pinterest blocked vaccine-related searches on its sites after measles outbreaks in several states this winter. Facebook, too, recently said that it would “reduce the ranking of groups or Pages that spread misinformation about vaccinations.” In January, without ever explaining how its “up next” algorithm works, YouTube announced that it would “begin reducing recommendations of borderline content,” including videos “making blatantly false claims about historic events like 9/11.”

Meanwhile, Pizzagate stumbles on. A couple of months ago, another man was arrested in connection with Comet Ping Pong—this one for setting fire to the place.






Saturday, March 30, 2019

The Day the Dinosaurs Died



Annals of the Former World

The Day the Dinosaurs Died

By Douglas Preston The New Yorker

A young paleontologist may have discovered a record of the most significant event in the history of life on Earth.

Mr. DePalma said, “It’s like finding the Holy Grail clutched in the bony fingers of Jimmy Hoffa, sitting on top of the Lost Ark.”


If, on a certain evening about sixty-­six million years ago, you had stood somewhere in North America and looked up at the sky, you would have soon made out what appeared to be a star. If you watched for an hour or two, the star would have seemed to grow in brightness, although it barely moved. That’s because it was not a star but an asteroid, and it was headed directly for Earth at about forty-five thousand miles an hour. Sixty hours later, the asteroid hit. The air in front was compressed and violently heated, and it blasted a hole through the atmosphere, generating a supersonic shock wave. The asteroid struck a shallow sea where the Yucatán peninsula is today. In that moment, the Cretaceous period ended and the Paleogene period began. 

A few years ago, scientists at Los Alamos National Laboratory used what was then one of the world’s most powerful computers, the so-called Q Machine, to model the effects of the impact. The result was a slow-motion, second-by-second false-color video of the event. Within two minutes of slamming into Earth, the asteroid, which was at least six miles wide, had gouged a crater about eighteen miles deep and lofted twenty-five trillion metric tons of debris into the atmosphere. Picture the splash of a pebble falling into pond water, but on a planetary scale. When Earth’s crust rebounded, a peak higher than Mt. Everest briefly rose up. The energy released was more than that of a billion Hiroshima bombs, but the blast looked nothing like a nuclear explosion, with its signature mushroom cloud. Instead, the initial blowout formed a “rooster tail,” a gigantic jet of molten material, which exited the atmosphere, some of it fanning out over North America. Much of the material was several times hotter than the surface of the sun, and it set fire to everything within a thousand miles. In addition, an inverted cone of liquefied, superheated rock rose, spread outward as countless red-hot blobs of glass, called tektites, and blanketed the Western Hemisphere. 

Some of the ejecta escaped Earth’s gravitational pull and went into irregular orbits around the sun. Over millions of years, bits of it found their way to other planets and moons in the solar system. Mars was eventually strewn with the debris—just as pieces of Mars, knocked aloft by ancient asteroid impacts, have been found on Earth. A 2013 study in the journal Astrobiology estimated that tens of thousands of pounds of impact rubble may have landed on Titan, a moon of Saturn, and on Europa and Callisto, which orbit Jupiter—three satellites that scientists believe may have promising habitats for life. Mathematical models indicate that at least some of this vagabond debris still harbored living microbes. The asteroid may have sown life throughout the solar system, even as it ravaged life on Earth. 

The asteroid was vaporized on impact. Its substance, mingling with vaporized Earth rock, formed a fiery plume, which reached halfway to the moon before collapsing in a pillar of incandescent dust. Computer models suggest that the atmosphere within fifteen hundred miles of ground zero became red hot from the debris storm, triggering gigantic forest fires. As the Earth rotated, the airborne material converged at the opposite side of the planet, where it fell and set fire to the entire Indian subcontinent. Measurements of the layer of ash and soot that eventually coated the Earth indicate that fires consumed about seventy per cent of the world’s forests. Meanwhile, giant tsunamis resulting from the impact churned across the Gulf of Mexico, tearing up coastlines, sometimes peeling up hundreds of feet of rock, pushing debris inland and then sucking it back out into deep water, leaving jumbled deposits that oilmen sometimes encounter in the course of deep-sea drilling. 

The damage had only begun. Scientists still debate many of the details, which are derived from the computer models, and from field studies of the debris layer, knowledge of extinction rates, fossils and microfossils, and many other clues. But the over-all view is consistently grim. The dust and soot from the impact and the conflagrations prevented all sunlight from reaching the planet’s surface for months. Photosynthesis all but stopped, killing most of the plant life, extinguishing the phytoplankton in the oceans, and causing the amount of oxygen in the atmosphere to plummet. After the fires died down, Earth plunged into a period of cold, perhaps even a deep freeze. Earth’s two essential food chains, in the sea and on land, collapsed. About seventy-five per cent of all species went extinct. More than 99.9999 per cent of all living organisms on Earth died, and the carbon cycle came to a halt. 

Earth itself became toxic. When the asteroid struck, it vaporized layers of limestone, releasing into the atmosphere a trillion tons of carbon dioxide, ten billion tons of methane, and a billion tons of carbon monoxide; all three are powerful greenhouse gases. The impact also vaporized anhydrite rock, which blasted ten trillion tons of sulfur compounds aloft. The sulfur combined with water to form sulfuric acid, which then fell as an acid rain that may have been potent enough to strip the leaves from any surviving plants and to leach the nutrients from the soil. 

Today, the layer of debris, ash, and soot deposited by the asteroid strike is preserved in the Earth’s sediment as a stripe of black about the thickness of a notebook. This is called the KT boundary, because it marks the dividing line between the Cretaceous period and the Tertiary period. (The Tertiary has been redefined as the Paleogene, but the term “KT” persists.) Mysteries abound above and below the KT layer. In the late Cretaceous, widespread volcanoes spewed vast quantities of gas and dust into the atmosphere, and the air contained far higher levels of carbon dioxide than the air that we breathe now. The climate was tropical, and the planet was perhaps entirely free of ice. Yet scientists know very little about the animals and plants that were living at the time, and as a result they have been searching for fossil deposits as close to the KT boundary as possible. 

One of the central mysteries of paleontology is the so-called “three-­metre problem.” In a century and a half of assiduous searching, almost no dinosaur remains have been found in the layers three metres, or about nine feet, below the KT boundary, a depth representing many thousands of years. Consequently, numerous paleontologists have argued that the dinosaurs were on the way to extinction long before the asteroid struck, owing perhaps to the volcanic eruptions and climate change. Other scientists have countered that the three-metre problem merely reflects how hard it is to find fossils. Sooner or later, they’ve contended, a scientist will discover dinosaurs much closer to the moment of destruction. 

Locked in the KT boundary are the answers to our questions about one of the most significant events in the history of life on the planet. If one looks at the Earth as a kind of living organism, as many biologists do, you could say that it was shot by a bullet and almost died. Deciphering what happened on the day of destruction is crucial not only to solving the three-­metre problem but also to explaining our own genesis as a species. 

On August 5, 2013, I received an e-mail from a graduate student named Robert DePalma. I had never met DePalma, but we had corresponded on paleontological matters for years, ever since he had read a novel I’d written that centered on the discovery of a fossilized Tyrannosaurus rex killed by the KT impact. “I have made an incredible and unprecedented discovery,” he wrote me, from a truck stop in Bowman, North Dakota. “It is extremely confidential and only three others know of it at the moment, all of them close colleagues.” He went on, “It is far more unique and far rarer than any simple dinosaur discovery. I would prefer not outlining the details via e-mail, if possible.” He gave me his cell-phone number and a time to call. 

I called, and he told me that he had discovered a site like the one I’d imagined in my novel, which contained, among other things, direct victims of the catastrophe. At first, I was skeptical. DePalma was a scientific nobody, a Ph.D. candidate at the University of Kansas, and he said that he had found the site with no institutional backing and no collaborators. I thought that he was likely exaggerating, or that he might even be crazy. (Paleontology has more than its share of unusual people.) But I was intrigued enough to get on a plane to North Dakota to see for myself. 

DePalma’s find was in the Hell Creek geological formation, which outcrops in parts of North Dakota, South Dakota, Montana, and Wyoming, and contains some of the most storied dinosaur beds in the world. At the time of the impact, the Hell Creek landscape consisted of steamy, subtropical lowlands and floodplains along the shores of an inland sea. The land teemed with life and the conditions were excellent for fossilization, with seasonal floods and meandering rivers that rapidly buried dead animals and plants. 

Dinosaur hunters first discovered these rich fossil beds in the late nineteenth century. In 1902, Barnum Brown, a flamboyant dinosaur hunter who worked at the American Museum of Natural History, in New York, found the first Tyrannosaurus rex here, causing a worldwide sensation. One paleontologist estimated that in the Cretaceous period Hell Creek was so thick with T. rexes that they were like hyenas on the Serengeti. It was also home to triceratops and duckbills. 

DePalma’s thesis adviser estimated that the site will keep specialists busy for half a century. “Robert’s got so much stuff that’s unheard of,” he said. “It will be in the textbooks.” 

The Hell Creek Formation spanned the Cretaceous and the Paleogene periods, and paleontologists had known for at least half a century that an extinction had occurred then, because dinosaurs were found below, but never above, the KT layer. This was true not only in Hell Creek but all over the world. For many years, scientists believed that the KT extinction was no great mystery: over millions of years, volcanism, climate change, and other events gradually killed off many forms of life. But, in the late nineteen-seventies, a young geologist named Walter Alvarez and his father, Luis Alvarez, a nuclear physicist, discovered that the KT layer was laced with unusually high amounts of the rare metal iridium, which, they hypothesized, was from the dusty remains of an asteroid impact. In an article in Science, published in 1980, they proposed that this impact was so large that it triggered the mass extinction, and that the KT layer was the debris from that event. Most paleontologists rejected the idea that a sudden, random encounter with space junk had drastically altered the evolution of life on Earth. But as the years passed the evidence mounted, until, in a 1991 paper, the smoking gun was announced: the discovery of an impact crater buried under thousands of feet of sediment in the Yucatán peninsula, of exactly the right age, and of the right size and geochemistry, to have caused a worldwide cataclysm. The crater and the asteroid were named Chicxulub, after a small Mayan town near the epicenter. 

One of the authors of the 1991 paper, David Kring, was so frightened by what he learned of the impact’s destructive nature that he became a leading voice in calling for a system to identify and neutralize threatening asteroids. “There’s no uncertainty to this statement: the Earth will be hit by a Chicxulub-size asteroid again, unless we deflect it,” he told me. “Even a three-hundred-metre rock would end world agriculture.” 

In 2010, forty-one researchers in many scientific disciplines announced, in a landmark Science article, that the issue should be considered settled: a huge asteroid impact caused the extinction. But opposition to the idea remains passionate. The main competing hypothesis is that the colossal “Deccan” volcanic eruptions, in what would become India, spewed enough sulfur and carbon dioxide into the atmosphere to cause a climatic shift. The eruptions, which began before the KT impact and continued after it, were among the biggest in Earth’s history, lasting hundreds of thousands of years, and burying half a million square miles of the Earth’s surface a mile deep in lava. The three-­metre gap below the KT layer, proponents argued, was evidence that the mass extinction was well under way by the time of the asteroid strike. 

In 2004, DePalma, at the time a twenty-­two-year-old paleontology undergraduate, began excavating a small site in the Hell Creek Formation. The site had once been a pond, and the deposit consisted of very thin layers of sediment. Normally, one geological layer might represent thousands or millions of years. But DePalma was able to show that each layer in the deposit had been laid down in a single big rainstorm. “We could see when there were buds on the trees,” he told me. “We could see when the cypresses were dropping their needles in the fall. We could experience this in real time.” Peering at the layers was like flipping through a paleo-history book that chronicled decades of ecology in its silty pages. DePalma’s adviser, the late Larry Martin, urged him to find a similar site, but one that had layers closer to the KT boundary. 

Today, DePalma, now thirty-seven, is still working toward his Ph.D. He holds the unpaid position of curator of vertebrate paleontology at the Palm Beach Museum of Natural History, a nascent and struggling museum with no exhibition space. In 2012, while looking for a new pond deposit, he heard that a private collector had stumbled upon an unusual site on a cattle ranch near Bowman, North Dakota. (Much of the Hell Creek land is privately owned, and ranchers will sell digging rights to whoever will pay decent money, paleontologists and commercial fossil collectors alike.) The collector felt that the site, a three-foot-deep layer exposed at the surface, was a bust: it was packed with fish fossils, but they were so delicate that they crumbled into tiny flakes as soon as they met the air. The fish were encased in layers of damp, cracked mud and sand that had never solidified; it was so soft that it could be dug with a shovel or pulled apart by hand. In July, 2012, the collector showed DePalma the site and told him that he was welcome to it. 

“I was immediately very disappointed,” DePalma told me. He was hoping for a site like the one he’d excavated earlier: an ancient pond with fine-grained, fossil-bearing layers that spanned many seasons and years. Instead, everything had been deposited in a single flood. But as DePalma poked around he saw potential. The flood had entombed everything immediately, so specimens were exquisitely preserved. He found many complete fish, which are rare in the Hell Creek Formation, and he figured that he could remove them intact if he worked with painstaking care. He agreed to pay the rancher a certain amount for each season that he worked there. (The specifics of the arrangement, as is standard practice in paleontology, are a closely guarded secret. The site is now under exclusive long-term lease.) 

The following July, DePalma returned to do a preliminary excavation of the site. “Almost right away, I saw it was unusual,” he told me. He began shovelling off the layers of soil above where he’d found the fish. This “overburden” is typically material that was deposited long after the specimen lived; there’s little in it to interest a paleontologist, and it is usually discarded. But as soon as DePalma started digging he noticed grayish-white specks in the layers which looked like grains of sand but which, under a hand lens, proved to be tiny spheres and elongated ­droplets. “I think, Holy shit, these look like microtektites!” DePalma recalled. Micro­tektites are the blobs of glass that form when molten rock is blasted into the air by an asteroid impact and falls back to Earth in a solidifying drizzle. The site appeared to contain micro­tektites by the million. 

As DePalma carefully excavated the upper layers, he began uncovering an extraordinary array of fossils, exceedingly delicate but marvellously well preserved. “There’s amazing plant material in there, all interlaced and interlocked,” he recalled. “There are logjams of wood, fish pressed against cypress-­tree root bundles, tree trunks smeared with amber.” Most fossils end up being squashed flat by the pressure of the overlying stone, but here everything was three-dimensional, including the fish, having been encased in sediment all at once, which acted as a support. “You see skin, you see dorsal fins literally sticking straight up in the sediments, species new to science,” he said. As he dug, the momentousness of what he had come across slowly dawned on him. If the site was what he hoped, he had made the most important paleontological discovery of the new century.

In a century and a half of assiduous searching, almost no dinosaur remains have been found in the layers three metres, or about nine feet, below the KT boundary, a depth representing many thousands of years. 

DePalma grew up in Boca Raton, Florida, and as a child he was fascinated by bones and the stories they contained. His father, Robert, Sr., practices endodontic surgery in nearby Delray Beach; his great-uncle Anthony, who died in 2005, at the age of a hundred, was a renowned orthopedic surgeon who wrote several standard textbooks on the subject. (Anthony’s son, Robert’s cousin, is the film director Brian De Palma.) 

“Between the ages of three and four, I made a visual connection with the gracefulness of individual bones and how they fit together as a system,” DePalma told me. “That really struck me. I went after whatever on the dinner table had bones in it.” His family ­buried their dead pets in one spot and put the burial markers in another, so that he wouldn’t dig up the corpses; he found them anyway. He froze dead lizards in ice-cube trays, which his mother would discover when she had friends over for iced tea. “I was never into sports,” he said. “They tried to get me to do that so I would get along with the other kids. But I was digging up the baseball field looking for bones.” 

DePalma’s great-uncle Anthony, who lived in Pompano Beach, took him under his wing. “I used to visit him every other weekend and show him my latest finds,” DePalma said. When he was four, someone at a museum in Texas gave him a fragment of dinosaur bone, which he took to his great-uncle. “He taught me that all those little knobs and rough patches and protrusions on a bone had names, and that the bone also had a name,” DePalma said. “I was captivated.” At six or seven, on trips to Central Florida with his family, he started finding his own fossilized bones from mammals dating back to the Ice Age. He found his first dinosaur bone when he was nine, in Colorado. 

In high school, during the summer and on weekends, DePalma collected fossils, made dinosaur models, and mounted skeletons for the Graves Museum of Archaeology and Natural History, in Dania Beach. He loaned the museum his childhood fossil collection for display, but in 2004 the museum went bankrupt and many of the specimens were carted off to a community college. DePalma had no paperwork to prove his ownership, and a court refused to return his fossils, which numbered in the hundreds. They were mostly locked away in storage, unavailable for public display and enjoyment. 

Dismayed by what he called the “wasteful mismanagement” of his collection, DePalma adopted some unusual collecting practices. Typically, paleontologists cede the curation and the care of their specimens to the institutions that hold them. But DePalma insists on contractual clauses that give him oversight of the management of his specimens. He never digs on public land, because of what he considers excessive government red tape. But, without federal support for his work, he must cover almost all the costs himself. His out-of-pocket expenses for working the Hell Creek site amount to tens of thousands of dollars. He helps defray the expenses by mounting fossils, doing reconstructions, and casting and selling replicas for museums, private collectors, and other clients. At times, his parents have chipped in. “I squeak by,” he said. “If it’s a ­tossup between getting more PaleoBond”—an expensive liquid glue used to hold fossils together—“or changing the air-conditioning filter, I’m getting the PaleoBond.” He is single, and shares a three-bedroom apartment with casts of various dinosaurs, including one of a Nanotyrannus. “It’s hard to have a life outside of my work,” he said. 

DePalma’s control of his research collection is controversial. Fossils are a big business; wealthy collectors pay hundreds of thousands of dollars, even millions, for a rare specimen. (In 1997, a T. rex nicknamed Sue was sold at a Sotheby’s auction, to the Field Museum of Natural History, in Chicago, for more than $8.3 million.) The American market is awash in fossils illegally smuggled out of China and Mongolia. But in the U.S. fossil collecting on private property is legal, as is the buying, selling, and exporting of fossils. Many scientists view this trade as a threat to paleontology and argue that important fossils belong in museums. “I’m not allowed to have a private collection of anything I’m studying,” one prominent curator told me. DePalma insists that he maintains “the best of both worlds” for his fossils. He has deposited portions of his collection at several nonprofit institutions, including the University of Kansas, the Palm Beach Museum of Natural History, and Florida Atlantic University; some specimens are temporarily housed in various analytical labs that are conducting tests on them—all overseen by him. 

In 2013, DePalma briefly made news with a paper he published in the Proceedings of the National Academy of Sciences. Four years earlier, in Hell Creek, he and a field assistant, Robert Feeney, found an odd, lumpy growth of fossilized bone that turned out to be two fused vertebrae from the tail of a hadrosaur, a duck-billed dinosaur from the Cretaceous period. DePalma thought that the bone might have grown around a foreign object and encased it. He took it to Lawrence Memorial Hospital, in Kansas, where a CT technician scanned it for free in the middle of the night, when the machine was idle. Inside the nodule was a broken tyrannosaur tooth; the hadrosaur had been bitten by a tyrannosaur and escaped. 

The discovery helped refute an old hypothesis, revived by the formidable paleontologist Jack Horner, that T. rex was solely a scavenger. Horner argued that T. rex was too slow and lumbering, its arms too puny and its eyesight too poor, to prey on other creatures. When DePalma’s find was picked up by the national media, Horner dismissed it as “speculation” and merely “one data point.” He suggested an alternative scenario: the T. rex might have accidentally bitten the tail of a sleeping hadrosaur, thinking that it was dead, and then “backed away” when it realized its mistake. “I thought that was absolutely preposterous,” DePalma told me. At the time, he told the Los Angeles Times, “A scavenger doesn’t come across a food source and realize all of a sudden that it’s alive.” Horner eventually conceded that T. rex may have hunted live prey. But, when I asked Horner about DePalma recently, he said at first that he didn’t remember him: “In the community, we don’t get to know students very well.” 

Without his Ph.D., DePalma remains mostly invisible, awaiting the stamp of approval that signals the beginning of a serious research career. Several paleontologists I talked to had not heard of him. Another, who asked not to be named, said, “Finding that kind of fossil was pretty cool, but not life-­changing. People sometimes think I’m dumb because I often say I don’t have the answers—we weren’t there when a fossil was formed. There are other people out there who say they do know, and he’s one of those people. I think he can overinterpret.” 

After receiving DePalma’s e-mail, I made arrangements to visit the Hell Creek site; three weeks later I was in Bowman. DePalma pulled up to my hotel in a Toyota 4Runner, its stereo blasting the theme to “Raiders of the Lost Ark.” He wore a coarse cotton work shirt, cargo pants with canvas ­suspenders, and a suède cowboy hat with the left brim snapped up. His face was tanned from long days in the sun and he had a five-day-old beard. 

I got in, and we drove for an hour or so, turning through a ranch gate and following a maze of bone-rattling roads that eventually petered out in a grassy basin. The scattered badlands of Hell Creek form an otherworldly landscape. This is far-flung ranching and farming country; prairies and sunflower fields stretch to the horizon, domed by the great blue skies of the American West. Roads connect small towns—truck stop, church, motel, houses and trailers—and lonely expanses roll by in between. Here and there in the countryside, abandoned farmhouses lean into the ground. Over millions of years, the Hell Creek layer has been heavily eroded, leaving only remnants, which jut from the prairie like so many rotten teeth. These lifeless buttes and pinnacles are striped in beige, chocolate, yellow, maroon, russet, gray, and white. Fossils, worked loose by wind and rain, spill down the sides. 

When we arrived, DePalma’s site lay open in front of us: a desolate hump of gray, cracked earth, about the size of two soccer fields. It looked as if a piece of the moon had dropped there. One side of the deposit was cut through by a sandy wash, or dry streambed; the other ended in a low escarpment. The dig was a three-foot-deep rectangular hole, sixty feet long by forty feet wide. A couple of two-by-fours, along with various digging tools and some metal pipe for taking core samples, leaned against the far side of the hole. As we strolled around the site, I noticed on DePalma’s belt a long fixed-blade knife and a sheathed bayonet—a Second World War relic that his uncle gave him when he was twelve, he said. 

He recalled the moment of discovery. The first fossil he removed, earlier that summer, was a five-foot-long freshwater paddlefish. Paddlefish still live today; they have a long bony snout, with which they probe murky water in search of food. When DePalma took out the fossil, he found underneath it a tooth from a mosasaur, a giant carnivorous marine reptile. He wondered how a freshwater fish and a marine reptile could have ended up in the same place, on a riverbank at least several miles inland from the nearest sea. (At the time, a shallow body of water, called the Western Interior Seaway, ran from the proto-­Gulf of Mexico up through part of North America.) The next day, he found a two-foot-wide tail from another marine fish; it looked as if it had been violently ripped from the fish’s body. “If the fish is dead for any length of time, those tails decay and fall apart,” DePalma said. But this one was perfectly intact, “so I knew that it was transported at the time of death or around then.” Like the mosasaur tooth, it had somehow ended up miles inland from the sea of its origin. “When I found that, I thought, There’s no way, this can’t be right,” DePalma said. The discoveries hinted at an extraordinary conclusion that he wasn’t quite ready to accept. “I was ninety-eight per cent con­vinced at that point,” he said. 

The following day, DePalma noticed a small disturbance preserved in the sediment. About three inches in diameter, it appeared to be a crater formed by an object that had fallen from the sky and plunked down in mud. Similar formations, caused by hailstones hitting a muddy surface, had been found before in the fossil record. As DePalma shaved back the layers to make a cross-­section of the crater, he found the thing itself—not a hailstone but a small white sphere—at the bottom of the crater. It was a tektite, about three millimetres in diameter—the fallout from an ancient asteroid impact. As he continued excavating, he found another crater with a tektite at the bottom, and another, and another. Glass turns to clay over millions of years, and these tektites were now clay, but some still had glassy cores. The microtektites he had found earlier might have been carried there by water, but these had been trapped where they fell—on what, DePalma believed, must have been the very day of the disaster. 

“When I saw that, I knew this wasn’t just any flood deposit,” DePalma said. “We weren’t just near the KT boundary—this whole site is the KT boundary!” From surveying and mapping the layers, DePalma hypothesized that a massive inland surge of water flooded a river valley and filled the low-lying area where we now stood, perhaps as a result of the KT-impact tsunami, which had roared across the proto-Gulf and up the Western Interior Seaway. As the water slowed and became slack, it deposited everything that had been caught up in its travels—the heaviest material first, up to whatever was floating on the surface. All of it was quickly entombed and preserved in the muck: dying and dead creatures, both marine and freshwater; plants, seeds, tree trunks, roots, cones, pine needles, flowers, and pollen; shells, bones, teeth, and eggs; tektites, shocked minerals, tiny diamonds, iridium-laden dust, ash, charcoal, and amber-smeared wood. As the sediments settled, blobs of glass rained into the mud, the largest first, then finer and finer bits, until grains sifted down like snow. 

“We have the whole KT event preserved in these sediments,” DePalma said. “With this deposit, we can chart what happened the day the Cretaceous died.” No paleontological site remotely like it had ever been found, and, if DePalma’s hypothesis proves correct, the scientific value of the site will be immense. When Walter Alvarez visited the dig last summer, he was astounded. “It is truly a magnificent site,” he wrote to me, adding that it’s “surely one of the best sites ever found for telling just what happened on the day of the impact.” 

When DePalma finished showing me the dig, he introduced me to a field assistant, Rudy Pascucci, the director of the Palm Beach Museum. Pascucci, a muscular man in his fifties, was sunburned and unshaven, and wore a sleeveless T-shirt, snakeproof camouflage boots, and a dusty Tilley hat. The two men gathered their tools, got down on the floor of the hole, and began probing the three-foot-high walls of the deposit. 

For rough digging, DePalma likes to use his bayonet and a handheld Marsh pick, popularized by the nineteenth-­century Yale paleontologist Othniel C. Marsh, who pioneered dinosaur-hunting in the American West and dis­covered eighty new species. The pick was given to him by David Burnham, his thesis adviser at Kansas, when he completed his master’s degree. For fine work, DePalma uses X-Acto knives and brushes—the typical tools of a paleontologist—as well as dental instruments given to him by his father. 

The deposit consisted of dozens of thin layers of mud and sand. Lower down, it graded into a more turbulent band of sand and gravel, which contained the heavier fish fossils, bones, and bigger tektites. Below that layer was a hard surface of sandstone, the original Cretaceous bedrock of the site, much of which had been scoured smooth by the flood. 

Paleontology is maddening work, its progress typically measured in millimetres. As I watched, DePalma and Pascucci lay on their stomachs under the beating sun, their eyes inches from the dirt wall, and picked away. DePalma poked the tip of an X-Acto into the thin laminations of sediment and loosened one dime-size flake at a time; he’d examine it closely, and, if he saw nothing, flick it away. When the chips accumulated, he gathered them into small piles with a paintbrush; when those piles accumulated, Pascucci swept them into larger piles with a broom and then shovelled them into a heap at the far end of the dig. 

Occasionally, DePalma came across small plant fossils—flower petals, leaves, seeds, pine needles, and bits of bark. Many of these were mere impressions in the mud, which would crack and peel as soon as they were exposed to the air. He quickly squirted them with PaleoBond, which soaked into the fossils and held them together. Or, us­ing another technique, he mixed a batch of plaster and poured it on the spec­imen before it fell apart. This would preserve, in plaster, a reverse image of the fossil; the original was too short-lived to be saved. 

When the mosquitoes got bad, DePalma took out a briar pipe and packed it with Royal Cherry Cavendish tobacco. He put a lighter to it and vigorously puffed, wreathing himself in sickly-­sweet smoke, then went back to work. “I’m like a shopaholic in a shoe store,” he said. “I want everything!” 

He showed me the impression of a round object about two inches wide. “This is either a flower or an echinoderm,” he said, referring to a group of marine life-forms that includes sea urchins and starfish. “I’ll figure it out in the lab.” He swiftly entombed it in Paleo­Bond and plaster. Next, he found a perfect leaf, and near that a seed from a pinecone. “Cretaceous mulch,” he said, dismissively; he already had many similar examples. He found three more small craters with tektites in them, which he sectioned and photographed. Then his X-Acto blade turned up a tiny brown bone—a jaw, less than a quarter inch in length. He held it up between his fingers and peered at it with a lens. 

“A mammal,” he said. “This one was already dead when it was buried.” Weeks later, in the lab, he identified the jaw as probably belonging to a mam­mal distantly related to primates—including us. 

In one fell swoop, DePalma may have filled in the gap in the fossil record. 

Half an hour later, DePalma discovered a large feather. “Every day is Christmas out here,” he said. He exposed the feather with precise movements. It was a crisp impression in the layer of mud, perhaps thirteen inches long. “This is my ninth feather,” he said. “The first fossil feathers ever found at Hell Creek. I’m convinced these are dinosaur feathers. I don’t know for sure. But these are primitive feathers, and most are a foot long. There are zero birds that big from Hell Creek with feathers this primitive. It’s more parsimonious to suggest it was a known dinosaur, most likely a theropod, possibly a raptor.” He kept digging. “Maybe we’ll find the raptor that these feathers came from, but I doubt it. These feathers could have floated from a long way off.” 

His X-Acto knife unearthed the edge of a fossilized fin. Another paddlefish came to light; it later proved to be nearly six feet long. DePalma probed the sediment around it, to gauge its position and how best to extract it. As more of it was exposed, we could clearly see that the fish’s two-foot-long snout had broken when it was forced—probably by the flood’s surge—against the branches of a submerged araucaria tree. He noted that every fish he’d found in the site had died with its mouth open, which may indicate that the fish had been gasping as they suffocated in the sediment-laden water. 

“Most died in a vertical position in the sediment, didn’t even tip over on their sides,” he said. “And they weren’t scavenged, because whatever would have dug them up afterward was probably gone.” He chipped away around the paddlefish, exposing a fin bone, then a half-dollar-size patch of fossilized skin with the scales perfectly visible. He treated these by saturating them with his own special blend of hardener. Because of the extreme fragility of the fossils, he would take them back to his lab, in Florida, totally encased in sediment, or “matrix.” In the lab, he would free each fossil under a magnifying glass, in precisely controlled conditions, away from the damaging effects of sun, wind, and aridity. 

As DePalma worked around the paddlefish, more of the araucaria branch came to light, including its short, spiky needles. “This tree was alive when it was buried,” he said. Then he noticed a golden blob of amber stuck to the branch. Amber is preserved tree resin and often contains traces of whatever was in the air at the time, trapping the atmospheric chemistry and even, sometimes, insects and small reptiles. “This is Cretaceous flypaper,” he said. “I can’t wait to get this back to the lab.” 

An hour later, he had chiselled all the way around the fish, leaving it encased in matrix, supported by a four-inch-tall pedestal of rock. “I’m pretty sure this is a species new to science,” he said. Because the soft tissue had also fossilized, he said, even the animal’s stomach contents might still be present. 

He straightened up. “Time to plaster,” he said. He took off his shirt and began mixing a five-gallon bucket of plaster with his hands, while Pascucci tore strips of burlap. DePalma took a two-by-four and sawed off two foot-long pieces and placed them like splints on either side of the sediment-encased fossil. One by one, he dipped the burlap strips in the plaster and draped them across the top and the sides of the specimen. He added rope handles and plastered them in. An hour later, when the plaster had cured, he chiselled through the rock pedestal beneath the fossil and flipped the specimen over, leaving the underside exposed. Back in the lab, he would go through this surface to access the fossil, with the plaster jacket acting as a cradle below. Using the rope handles, DePalma and Pascucci lugged the specimen, which weighed perhaps two hundred pounds, to the truck and loaded it into the back. Later, DePalma would store it behind a friend’s ranch house, where all his jacketed fossils from the season were laid out in rows, covered with tarps. 

DePalma resumed digging. Gusts of wind stirred up clouds of dust, and rain fell; when the weather cleared, the late-afternoon sun spilled across the prairie. DePalma was lost in another day, in another time. “Here’s a piece of wood with bark-beetle traces,” he said. Plant fossils from the first several million years after the impact show almost no signs of such damage; the insects were mostly gone. The asteroid had likely struck in the fall, DePalma speculated. He had reached this conclusion by comparing the juvenile paddlefish and sturgeon he’d found with the species’ known growth rates and hatching seasons; he’d also found the seeds of conifers, figs, and certain flowers. “When we analyze the pollen and diatomaceous particles, that will narrow it down,” he said. 



A core sample from DePalma’s site. The site may hold a precise geological transcript of the asteroid strike that almost wiped out life on the planet. 




“It solves the question of whether dinosaurs went extinct at exactly that level or whether they declined before,” the paleontologist Jan Smit said. “And this is the first time we see direct victims.” 

Photograph by Richard Barnes for The New Yorker 

In the week that followed, fresh riches emerged: more feathers, leaves, seeds, and amber, along with several other fish, three to five feet long, and a dozen more craters with tektites. I have visited many paleontological sites, but I had never seen so many specimens found so quickly. Most digs are boring; days or weeks may pass with little found. DePalma seemed to make a noteworthy discovery about every half hour. 

When DePalma first visited the site, he noted, partially embedded on the surface, the hip bone of a dinosaur in the ceratopsian family, of which triceratops is the best-known member. A commercial collector had tried to remove it years earlier; it had been abandoned in place and was crumbling from years of exposure. DePalma initially dismissed it as “trash” and decried the irresponsibility of the collector. Later, though, he wondered how the bone, which was heavy, had arrived there, very close to the high-water mark of the flood. It must have floated, he said, and to have done so it must have been encased in desiccated tissue—suggesting that at least one dinosaur species was alive at the time of the impact. He later found a suitcase-size piece of fossilized skin from a ceratopsian attached to the hip bone. 

At one point, DePalma set off to photograph the layers of the deposit which had been cut through and exposed by the sandy wash. He scraped smooth a vertical section and misted it with water from a spray bottle to bring out the color. The bottom layer was jumbled; the first rush of water had ripped up layers of mud, gravel, and rocks and tumbled them about with pieces of burned (and burning) wood. 

Then DePalma came to a faint jug-shaped outline in the wall of the wash. He examined it closely. It started as a tunnel at the top of the KT layer, went down, and then widened into a round cavity, filled with soil of a different color, which stopped at the hard sandstone of the undisturbed bedrock layer below. It looked as though a small animal had dug through the mud to create a hideout. “Is that a burrow?” I asked. 

DePalma scraped the area smooth with his bayonet, then sprayed it. “You’re darn right it is,” he said. “And this isn’t the burrow of a small dinosaur. It’s a mammal burrow.” (Burrows have characteristic shapes, depending on the species that inhabit them.) He peered at it, his eyes inches from the rock, probing it with the tip of the bayonet. “Gosh, I think it’s still in there!” 

He planned to remove the entire burrow intact, in a block, and run it through a CT scanner back home, to see what it contained. “Any Cretaceous mammal burrow is incredibly rare,” he said. “But this one is impossible—it’s dug right through the KT boundary.” Perhaps, he said, the mammal survived the impact and the flood, burrowed into the mud to escape the freezing darkness, then died. “It may have been born in the Cretaceous and died in the Paleocene,” he said. “And to think—sixty-­six million years later, a stinky monkey is digging it up, trying to figure out what happened.” He added, “If it’s a new species, I’ll name it after you.” 

When I left Hell Creek, DePalma pressed me on the need for secrecy: I was to tell no one, not even close friends, about what he’d found. The history of paleontology is full of tales of bribery, backstabbing, and double-­dealing. In the nineteenth century, ­Othniel C. Marsh and Edward Drinker Cope, the nation’s two leading paleontologists, engaged in a bitter competition to collect dinosaur fossils in the American West. They raided each other’s quarries, bribed each other’s crews, and vilified each other in print and at scientific meetings. In 1890, the New York Herald began a series of sensational articles about the controversy with the headline “scientists wage bitter warfare.” The rivalry has since become known as the Bone Wars. The days of skulduggery in paleontology have not passed; DePalma was deeply concerned that the site would be expropriated by a major museum. 

DePalma knew that a screwup with this site would probably end his career, and that his status in the field was so uncertain that he needed to fortify the find against potential criticism. He had already experienced harsh judgment when, in 2015, he published a paperon a new species of dinosaur called a Dakotaraptor, and mistakenly inserted a fossil turtle bone in the reconstruction. Although rebuilding a skeleton from thousands of bone fragments that have commingled with those of other species is not easy, DePalma was mor­tified by the attacks. “I never want to go through that again,” he told me. 

For five years, DePalma continued excavations at the site. He quietly shared his findings with a half-dozen luminaries in the field of KT studies, including Walter Alvarez, and enlisted their help. During the winter months, when not in the field, DePalma prepared and analyzed his specimens, a few at a time, in a colleague’s lab at Florida Atlantic University, in Boca Raton. The lab was a windowless, wedge­like room in the geology building, lined with bubbling aquarium tanks and shelves heaped with books, scientific journals, pieces of coral, mastodon teeth, seashells, and a stack of .50-­calibre machine-gun rounds, dating from the Second World War, that the lab’s owner had recovered from the bottom of the Atlantic Ocean. DePalma had carved out a space for himself in a corner, just large enough for him to work on one or two jacketed fossils at a time. 

When I first visited the lab, in April, 2014, a block of stone three feet long by eighteen inches wide lay on a table under bright lights and a large magnifying lens. The block, DePalma said, contained a sturgeon and a paddlefish, along with dozens of smaller fossils and a single small, perfect crater with a tektite in it. The lower parts of the block consisted of debris, fragments of bone, and loose tektites that had been dislodged and caught up in the turbulence. The block told the story of the impact in microcosm. “It was a very bad day,” DePalma said. “Look at these two fish.” He showed me where the sturgeon’s scutes—the sharp, bony plates on its back—had been forced into the body of the paddlefish. One fish was impaled on the other. The mouth of the paddlefish was agape, and jammed into its gill rakers were microtektites—sucked in by the fish as it tried to breathe. DePalma said, “This fish was likely alive for some time after being caught in the wave, long enough to gasp frenzied mouthfuls of water in a vain attempt to survive.” 

Gradually, DePalma was piecing together a potential picture of the disaster. By the time the site flooded, the surrounding forest was already on fire, given the abundance of charcoal, charred wood, and amber he’d found at the site. The water arrived not as a curling wave but as a powerful, roiling rise, packed with disoriented fish and plant and animal debris, which, DePalma hypothesized, were laid down as the water slowed and receded. 

In the lab, DePalma showed me magnified cross-sections of the sediment. Most of its layers were horizontal, but a few formed curlicues or flamelike patterns called truncated flame structures, which were caused by a combination of weight from above and mini-surges in the incoming water. DePalma found five sets of these patterns. He turned back to the block on his table and held a magnifying lens up to the tektite. Parallel, streaming lines were visible on its surface—Schlieren lines, formed by two types of molten glass swirling together as the blobs arced through the atmosphere. Peering through the lens, DePalma picked away at the block with a dental probe. He soon exposed a section of pink, pearlescent shell, which had been pushed up against the sturgeon. “Ammonite,” he said. Ammonites were marine mollusks that somewhat resemble the present-day nautilus, although they were more closely related to squid and octopi. As DePalma uncovered more of the shell, I watched its vibrant color fade. “Live ammonite, ripped apart by the tsunami—they don’t travel well,” he said. “Genus Sphenodiscus, I would think.” The shell, which hadn’t previously been documented in the Hell Creek Formation, was another marine victim tossed inland. 

He stood up. “Now I’m going to show you something special,” he said, opening a wooden crate and removing an object that was covered in aluminum foil. He unwrapped a sixteen-inch fossil feather, and held it in his palms like a piece of Lalique glass. “When I found the first feather, I had about twenty seconds of disbelief,” he said. DePalma had studied under Larry Martin, a world authority on the Cretaceous predecessors of birds, and had been “exposed to a lot of fossil feathers. When I encountered this damn thing, I immediately understood the importance of it. And now look at this.” 

From the lab table, he grabbed a fossil forearm belonging to Dakotaraptor, the dinosaur species he’d discovered in Hell Creek. He pointed to a series of regular bumps on the bone. “These are probably quill knobs,” he said. “This dinosaur had feathers on its forearms. Now watch.” With precision calipers, he measured the diameter of the quill knobs, then the diameter of the quill of the fossil feather; both were 3.5 millimetres. “This matches,” he said. “This says a feather of this size would be associated with a limb of this size.” 

There was more, including a piece of a partly burned tree trunk with am­ber stuck to it. He showed me a photo of the amber seen through a micro­scope. Trapped inside were two impact particles—another landmark discovery, because the amber would have preserved their chemical composition. (All other tektites found from the impact, exposed to the elements for millions of years, have chemically changed.) He’d also found scores of beautiful examples of lonsdaleite, a hexagonal form of diamond that is associated with impacts; it forms when carbon in an asteroid is compressed so violently that it crystallizes into trillions of microscopic grains, which are blasted into the air and drift down. 

Finally, he showed me a photograph of a fossil jawbone; it belonged to the mammal he’d found in the burrow. “This is the jaw of Dougie,” he said. The bone was big for a Cretaceous mammal—three inches long—and almost complete, with a tooth. After my visit to Hell Creek, DePalma had removed the animal’s burrow intact, still encased in the block of sediment, and, with the help of some women who worked as cashiers at the Travel Center, in Bowman, hoisted it into the back of his truck. He believes that the jaw belonged to a marsupial that looked like a weasel. Using the tooth, he could conduct a stable-isotope study to find out what the animal ate—“what the menu was after the disaster,” he said. The rest of the mammal remains in the burrow, to be researched later. 

DePalma listed some of the other discoveries he’s made at the site: several flooded ant nests, with drowned ants still inside and some chambers packed with microtektites; a possible wasp burrow; another mammal ­burrow, with multiple tunnels and galleries; shark teeth; the thigh bone of a large sea turtle; at least three new fish species; a gigantic ginkgo leaf and a plant that was a relative of the banana; more than a dozen new species of animals and plants; and several other burrow types. 

At the bottom of the deposit, in a mixture of heavy gravel and tektites, DePalma identified the broken teeth and bones, including hatchling remains, of almost every dinosaur group known from Hell Creek, as well as pterosaur remains, which had previously been found only in layers far below the KT boundary. He found, intact, an unhatched egg containing an embryo—a fossil of immense research value. The egg and the other remains suggested that dinosaurs and major reptiles were probably not staggering into extinction on that fateful day. In one fell swoop, DePalma may have solved the three-metre problem and filled in the gap in the fossil record. 

By the end of the 2013 field season, DePalma was convinced that the site had been created by an impact flood, but he lacked conclusive evidence that it was the KT impact. It was possible that it resulted from another giant asteroid strike that occurred at around the same time. “Extraordinary discoveries require extraordinary evidence,” he said. If his tektites shared the same geochemistry as tektites from the Chicxulub asteroid, he’d have a strong case. Deposits of Chicxulub tektites are rare; the best source, discovered in 1990, is a small outcrop in Haiti, on a cliff above a road cut. In late January, 2014, DePalma went there to gather tektites and sent them to an independent lab in Canada, along with tektites from his own site; the samples were analyzed at the same time, with the same equipment. The results indicated a near-perfect geochemical match. 

In the first few years after DePalma’s discoveries, only a handful of scientists knew about them. One was David Burnham, DePalma’s thesis adviser at Kansas, who estimates that DePalma’s site will keep specialists busy for at least half a century. “Robert’s got so much stuff that’s unheard of,” Burnham told me. “Amber with tektites embedded in it—holy cow! The dinosaur feathers are crazy good, but the burrow makes your head reel.” In paleontology, the term Lagerstätte refers to a rare type of fossil site with a large variety of specimens that are nearly perfectly preserved, a sort of fossilized ecosystem. “It will be a famous site,” Burnham said. “It will be in the textbooks. It is the Lagerstätte of the KT extinction.” 

Jan Smit, a paleontologist at Vrije University, in Amsterdam, and a world authority on the KT impact, has been helping DePalma analyze his results, and, like Burnham and Walter Alvarez, he is a co-author of a scientific paper that DePalma is publishing about the site. (There are eight other co-authors.) “This is really a major discovery,” Smit said. “It solves the question of whether dinosaurs went extinct at exactly that level or whether they declined before. And this is the first time we see direct victims.” I asked if the results would be controversial. “When I saw his data with the paddlefish, sturgeon, and ammonite, I think he’s right on the spot,” Smit said. “I am very sure he has a pot of gold.” 

In September of 2016, DePalma gave a brief talk about the discovery at the annual meeting of the Geological Society of America, in Colorado. He mentioned only that he had found a deposit from a KT flood that had yielded glass droplets, shocked minerals, and fossils. He had christened the site Tanis, after the ancient city in Egypt, which was featured in the 1981 film “Raiders of the Lost Ark” as the resting place of the Ark of the Covenant. In the real Tanis, archeologists found an inscription in three writing systems, which, like the Rosetta stone, was crucial in translating ancient Egyptian. DePalma hopes that his Tanissite will help decipher what happened on the first day after the impact. 

The talk, limited though it was, caused a stir. Kirk Cochran, a professor at the School of Marine and Atmospheric Science at Stony Brook University, in New York, recalled that when DePalma presented his findings there were gasps of amazement in the audience. Some scientists were wary. Kirk Johnson, the director of the Smithsonian’s National Museum of Natural History, told me that he knew the Hell Creek area well, having worked there since 1981. “My warning lights were flashing bright red,” he told me. “I was so skeptical after the talk I was convinced it was a fabrication.” Johnson, who had been mapping the KT layer in Hell Creek, said that his research indicated that Tanis was at least forty-five feet below the KT boundary and perhaps a hundred thousand years older. “If it’s what it’s said to be,” Johnson said, “it’s a fabulous discovery.” But he declared himself “uneasy” until he could see DePalma’s paper. 

One prominent West Coast paleontologist who is an authority on the KT event told me, “I’m suspicious of the findings. They’ve been presented at meetings in various ways with various associated extraordinary claims. He could have stumbled on something amazing, but he has a reputation for making a lot out of a little.” As an example, he brought up DePalma’s paper on Dakotaraptor, which he described as “bones he basically collected, all in one area, some of which were part of a dinosaur, some of which were part of a turtle, and he put it all together as a skeleton of one animal.” He also objected to what he felt was excessive secrecy surrounding the Tanis site, which has made it hard for outside scientists to evaluate DePalma’s claims. 

Johnson, too, finds the lack of transparency, and the dramatic aspects of DePalma’s personality, unnerving. “There’s an element of showmanship in his presentation style that does not add to his credibility,” he said. Other paleontologists told me that they were leery of going on the record with criticisms of DePalma and his co-authors. All expressed a desire to see the final paper, which will be published next week, in the Proceedings of the National Academy of Sciences, so that they could evaluate the data for themselves. 

After the G.S.A. talk, DePalma realized that his theory of what had happened at Tanis had a fundamental problem. The KT tsunami, even moving at more than a hundred miles an hour, would have taken many hours to travel the two thousand miles to the site. The rainfall of glass blobs, however, would have hit the area and stopped within about an hour after the impact. And yet the tektites fell into an active flood. The timing was all wrong. 

This was not a paleontological question; it was a problem of geophysics and sedimentology. Smit was a sedimentologist, and another researcher whom DePalma shared his data with, Mark Richards, now of the University of Washington, was a geophysicist. At dinner one evening in Nagpur, India, where they were attending a conference, Smit and Richards talked about the problem, looked up a few papers, and later jotted down some rough calculations. It was immediately apparent to them that the KT tsunami would have arrived too late to capture the falling tektites; the wave would also have been too diminished by its long journey to account for the thirty-­five-foot rise of water at Tanis. One of them proposed that the wave might have been created by a curious phenomenon known as a seiche. In large earthquakes, the shaking of the ground sometimes causes water in ponds, swimming pools, and bathtubs to slosh back and forth. Richards recalled that the 2011 Japanese earthquake produced bizarre, five-foot seiche waves in an absolutely calm Norwegian fjord thirty minutes after the quake, in a place unreachable by the tsunami. 

Richards had previously estimated that the worldwide earthquake generated by the KT impact could have been a thousand times stronger than the biggest earthquake ever experienced in human history. Using that gauge, he calculated that potent seismic waves would have arrived at Tanis six minutes, ten minutes, and thirteen minutes after the impact. (Different types of seismic waves travel at different speeds.) The brutal shaking would have been enough to trigger a large seiche, and the first blobs of glass would have started to rain down seconds or minutes afterward. They would have continued to fall as the seiche waves rolled in and out, depositing layer upon layer of sediment and each time ­sealing the tektites in place. The Tanis site, in short, did not span the first day of the impact: it probably recorded the first hour or so. This fact, if true, renders the site even more fabulous than previously thought. It is almost beyond credibility that a precise geological transcript of the most important sixty minutes of Earth’s history could still exist millions of years later—a sort of high-speed, high-­resolution video of the event recorded in fine layers of stone. DePalma said, “It’s like finding the Holy Grail clutched in the bony fingers of Jimmy Hoffa, sitting on top of the Lost Ark.” If Tanis had been closer to or farther from the impact point, this beautiful coincidence of timing could not have happened. “There’s nothing in the world that’s ever been seen like this,” Richards told me. 

-=-=-= 

One day sixty-six million years ago, life on Earth almost came to a shattering end. The world that emerged after the impact was a much simpler place. When sunlight finally broke through the haze, it illuminated a hellish landscape. The oceans were empty. The land was covered with drifting ash. The forests were charred stumps. The cold gave way to extreme heat as a greenhouse effect kicked in. Life mostly consisted of mats of algae and growths of fungus: for years after the impact, the Earth was covered with little other than ferns. Furtive, ratlike mammals lived in the gloomy understory. 

But eventually life emerged and blossomed again, in new forms. The KT event continues to attract the interest of scientists in no small part because the ashen print it left on the planet is an existential reminder. “We wouldn’t be here talking on the phone if that meteorite hadn’t fallen,” Smit told me, with a laugh. DePalma agreed. For the first hundred million years of their existence, before the asteroid struck, mammals scurried about the feet of the dinosaurs, amounting to little. “But when the dinosaurs were gone it freed them,” DePalma said. In the next epoch, mammals underwent an explosion of adaptive radiation, evolving into a dazzling variety of forms, from tiny bats to gigantic titanotheres, from horses to whales, from fearsome creodonts to large-brained primates with hands that could grasp and minds that could see through time. 

“We can trace our origins back to that event,” DePalma said. “To actually be there at this site, to see it, to be connected to that day, is a special thing. This is the last day of the Cretaceous. When you go one layer up—the very next day—that’s the Paleocene, that’s the age of mammals, that’s our age