Wednesday, July 18, 2018

Dr. Death: Aspergers




Dr. Death

Long-deceased Viennese doctors, unless they’re called Freud, rarely make newspaper headlines. But one has recently done so on both sides of the Atlantic. On April 19, the academic open-access journal Molecular Autism published a detailed article by the Austrian medical historian Herwig Czech about Hans Asperger, the Viennese pediatrician whose name has since the 1980s designated a syndrome that forms part of the wider autism spectrum. Like many prominent Austrian medical figures of his generation, Asperger’s wartime record of involvement in some of the deadliest aspects of Nazi medical practice had long remained unquestioned or was glossed over. Now he stood exposed as having been far from an opponent of Nazi thinking; racial hygiene was, in fact, at the center of his beliefs.

The historian Edith Sheffer’s book Asperger’s Children was published a month after Czech’s exposé. Her research was contemporaneous with his and draws on the same archival sources, but books take longer. Hers is an impassioned indictment, one that glows with the heat of a prosecution motivated by an ethical imperative. She charges Asperger with a heinous medical crime: sending at least thirty-seven of his child patients to their deaths. Herta Schreiber, who had suffered meningitis and diphtheria, was just short of three when her de facto death certificate was signed, in part on the grounds that she was “an unbearable burden to the mother.”

Accused with Asperger is the whole of the Nazi ideological apparatus that converted a diagnosis—a highly personal form of human assessment—into the first rung of a routine killing machine. Finally, Sheffer wants to indict the entire capacious category of autism, which she argues includes too many different kinds of people alongside the high-functioning, often talented, but somewhat relationally challenged people who have been given the diagnosis of Asperger’s—a diagnosis that for the US has now been shifted, in the most recent Diagnostic and Statistical Manual of Mental Disorders (DSM), into the broader autism spectrum.

The term “autistic” originated with the talented Eugen Bleuler, director of the Burghölzli, the pioneering psychiatric hospital in Zurich. In the early part of the twentieth century some of Europe and America’s best physicians spent at least a season there. Bleuler valued Freud’s insights and took a cue from psychoanalysis in his efforts to attend to unconscious mental processes and listen to patients’ words. Among the staff was Carl Jung, whose patient Sabina Spielrein also became a well-known psychoanalytic practitioner and the teacher of the famous psychologist Jean Piaget. Patients were seen individually twice a day: doctors were instructed to write down everything they said, whether or not it sounded like nonsense.

In the detailed description of the group of schizophrenias he included in a 1911 book, Bleuler coined the term “autistic” to characterize thinking—something that, unlike many, he was certain was going on in his patients—and feeling that were more than usually introverted, self-absorbed, and lashed with fantasies. He said he owed the term to Freud’s “autoerotism,” which described an infant’s inner fantasy life prior to any engagement with the external world. Autistic thinking took place “in symbols, in analogies, in fragmentary concepts…in crude offenses against logic and propriety.”1 In Bleuler’s understanding, schizophrenic patients suffered from a breakdown in the relation between thoughts, feelings, and actions; from ambivalence (another new term, which Freud picked up from him), as well as from delusions and hallucinations. Freud folded the idea of autistic thinking into his own theory of the narcissistic state of earliest infancy, when inner and outer life were not distinguishable.

Autism as a separate diagnostic category did not exist for Bleuler, Freud, or indeed for any doctor until 1943. What brought it into being was the birth of a new field: child psychiatry, with its close observation of behavior and its measurements and assessments carried out in schools, hospitals, or institutions.

Bleuler’s patients were all adults. Children, if they were seen to be mentally ill or considered “deficient” in some way, were put in the care of hospital neurologists (as Freud had been, in his earliest medical position) or institutions. Then, throughout the 1920s, psychoanalytic thinkers like Melanie Klein and Anna Freud turned their attention to the inner life of the infant and child. Theories of child development soon arose, many of them based on the close observation of behavior. It was this latter emphasis on behavior rather than on inner life that tilted the balance toward the kinds of categories today’s DSM uses to classify mental disorders.

A stand-alone category of early infantile autism didn’t come into use until 1943, when the psychiatrist Leo Kanner published his “Autistic Disturbances of Affective Contact” in the journal Nervous Child. The article, heavily endebted to his Austrian colleagues Georg Frankl and Anni Weiss’s work in Vienna’s Curative Education Clinic, concentrated on eleven young patients, eight boys and three girls, who had been observed and assessed by a variety of diagnostic tests, plus parental reports. Kanner argued that despite the borrowing of Bleuler’s term, these children’s profiles were not precursors of adult schizophrenia. What they had in common was an “extreme aloneness.” They had no interest in others and had not established relationships with their parents or other children. They had, however, a good relationship to objects that didn’t change in appearance and position. Their speech was disturbed in various ways; they had an anxious and obsessive desire for sameness that manifested itself in repeated acts and speech. They also had excellent rote memory. Kanner’s children all had professionally successful parents, who he noted were not warmly affectionate toward their offspring: this led him to the rather unhappy later hypothesis that “refrigerator mothers” might have something to do with his small patients’ autism.

In Germany as well as Austria during the Nazi period, death, as Sheffer notes in her book, was often “a treatment option” for doctors. With the aim of purifying the state, Nazis designated not only Jews, Roma, and homosexuals as toxic subjects—the first two slated for elimination—but also the disabled, those of “inferior hereditary material,” patients in mental institutions, and children who were judged likely to become an ongoing drain on the public purse. Young people who didn’t or couldn’t conform, who were not gemeinschaftsfähig—able to demonstrate what Sheffer translates as “community competence”—regularly ended up in the so-called T4 euthanasia program, named after its headquarters, Tiergartenstrasse 4 in Berlin, home of the Charitable Foundation for Curative and Institutional Care.

In Vienna, whose population enthusiastically welcomed the Nazis, such children were sent to be murdered at the notorious Spiegelgrund, part of the Steinhof mental hospital complex in the Vienna Woods. Ironically, the Steinhof itself had been designed by the great architect of the Vienna Secession, Otto Wagner, in the reforming first decades of the century, when it had been seen as a pioneering project to improve the lives of the ill. “The child euthanasia program reveals an intimate dimension to extermination,” Sheffer writes:


Doctors personally examined the children they condemned. Nurses personally fed and changed the sheets of children they killed. They knew the children’s names, voices, faces, and personalities. Killings were typically done in the children’s own beds. Death came slowly, painfully, as children would be starved or given overdoses of barbiturates until they grew ill and died, usually of pneumonia. 

Sometimes their brains or other body parts found their way into research jars—a fact only disclosed in the late 1990s.

Asperger was part of the assessment apparatus that determined the fate of such children. Though no death warrants signed in his name exist, and though he claimed, like so many of his countrymen did after the war—despite prior vocal enthusiasm or fellow-traveling—never to have been a Nazi sympathizer, it is clear from the archival evidence Sheffer expertly amasses that he knew he was signing off on children’s fates. Crucially, too, his notions of what constituted “autistic psychopathy” in childhood, which he described most fully in his 1944 treatise of the same name, were deeply influenced by Nazi ideology.

Earlier researchers, like the science journalist Steve Silberman in Neurotribes: The Legacy of Autism and the Future of Neurodiversity (2015), have claimed that Asperger—who lauded his autists’ special, if eccentric, talents—was neither a Nazi sympathizer nor a participant in the euthanasia program. Silberman, like many in the field, may have been relying on the redoubtable German developmental psychologist Uta Frith, who spread Asperger’s fame from her base in the UK and remained willfully blind to his implication in Nazi ideas and practices. Perhaps the photographs of him have counted in his favor. They show a tall, fair man of impeccable bearing who would look good in the short trousers of the Wandervogel, the boy-scout-like groups he and the Nazis favored. Asperger did use some positive language about the more educable children in his care, but Sheffer’s analysis clearly tilts the balance against him.

Born near Vienna in 1906, Asperger trained at the city’s university during the 1920s. It was a time when an experimental children’s clinic, focusing on Heilpädagogik—which Sheffer translates not as “therapeutic” but as “curative” education—flourished under Erwin Lazar. Like many other doctors and psychologists across Europe and in the US after World War I, Lazar was interested in “dissocial” youths and in distinguishing between the social, physical, and psychiatric reasons for their difficulties or criminal behavior. Ideas of therapeutic education abounded. August Aichhorn, who was persuaded by Anna Freud to run a child guidance center for delinquents alongside the Vienna Psychoanalytic Society, used these cases as the basis for his famous book Wayward Youth (1925). It was translated into many languages and reviewed in the UK by Donald Winnicott, the pioneering pediatrician and analyst.

Poverty, a desperate home life, and parental predations began to be seen as shaping these children’s psychological and mental lives and contributing to their delinquency. Yet once the social, the psychological, and the medical were conflated, it made a difference whether they were being assessed from the political left or the political right. For those in the latter group, a “wayward,” rebellious youth who didn’t fit into the normal cohort could land in a general category of undesirability—those “defective” individuals who were, according to right-wing politicians, a burden on the nation and, according to eugenicists, harmful to what we would now call the gene pool.

In Austria and Germany, as in the rest of the West since the nineteenth century, eugenic thinking was popular. In Britain—where it was launched in the 1880s by the statistician Francis Galton, Darwin’s half cousin, who was much influenced by his Origin of Species—the emphasis of such thinking lay largely on positive eugenics. Reformers both on the left and on the right supported intelligence testing and “breeding for the best,” in the hope that the general “standard” of the population would be raised. In Scandinavia, and particularly in Nazi Germany and Austria but also in the US, the emphasis was on negative eugenics. Forced sterilization programs for “undesirables” of all kinds persisted after World War II. North Carolina continued its enforced sterilization program of the “mentally defective or feeble-minded” until 1977. Five thousand of the 7,686 people sterilized there were black. Indeed, the wide acceptance of sterilization in various countries may be one reason that the Nuremberg Trials paid little attention to this heinous aspect of Nazi purification policy, which compounded sterilization with euthanasia.

Hans Asperger was a self-proclaimed eugenicist and a right-wing Catholic. He worked briefly with the staff of the progressive clinic that Erwin Lazar, a student of Bleuler’s, had led. It was in this clinic that many of the earliest ideas on autism originated, in particular with two of its talented staff who would soon emigrate to America. The Nazi sympathizer Franz Chvostek, who ran the so-called swastika clinic at the University of Vienna, became his ally, and he was abetted in his climb through the ranks when the Vienna Children’s Hospital was taken over by Franz Hamburger, an ally of Chvostek’s. Both men were known eugenicists and believed in mass sterilization. Hamburger fired most of the hospital’s Jewish staff, and in 1931 Asperger, aged twenty-five, became one of his early appointees.

In 1934 he was made head of the Curative Education Clinic, where he worked alongside the notorious Erwin Jekelius, an early SA member. With Hamburger, Asperger took part in the “Motorized Mother Advising” unit, traveling the Austrian countryside to provide medical advice to parents, but also creating a register of “hereditary feeblemindedness,” among other ills. After the Anschluss, Sheffer writes, Asperger’s other professional comrade, Jekelius, became “the most prominent figure in child and adult euthanasia in Vienna, directing the killing centers of Spiegelgrund and Steinhof.”

Asperger first mentioned “autistic psychopathy” in 1938, but it had already been described by two talented Jewish staff in the clinic earlier in the 1930s: Georg Frankl and his soon-to-be-wife, the psychologist Anni Weiss. In 1937 Frankl emigrated to the US with the help of Leo Kanner. At Johns Hopkins he worked with Kanner and eventually Weiss, who had emigrated in 1934 and spent a few years at Columbia. In Vienna they had together identified in high-functioning children “the disruption of affective contact” that became a classic part of the autistic spectrum. Asperger never credited his Jewish compatriots in his speeches or writings.

Sheffer probes Asperger’s affinities with Nazi psychiatry, particularly his use of the term for soulful belonging, Gemüt, at once an assessment of character and of unity with the Volk. A failure in Gemüt slipped into definitions of psychopathy: the term gemütlosen Psychopathen was applied to children who were withdrawn, willful, isolated, whose “confinement of the self…led to a narrowing of relations to their environment.” Not to conform or fit into the state’s stereotype of a healthy body and a healthy mind could mark one for elimination.

Children born out of wedlock, teenage loners, “delinquents,” unconventional adolescent girls whose stepfathers and stepmothers worried about their sexuality—all such undesirables could find themselves with a fatal diagnosis. Killings in Spiegelgrund began on August 25, 1940. By the end of the war, at least 789 children had perished under the euthanasia program; some had physical, some mental problems, and others simply didn’t conform to the time’s definition of “normal” and couldn’t, according to the doctors, be integrated into the community.

Sheffer dramatically incorporates the voices of the few children who survived the sadistic terrors of the psychiatric regime into her account, as well as extant case notes. This makes for an anguishing text. It also gives one pause. How did Uta Frith—who taught many of the neuropsychologists and cognitive psychologists who now lead the field and, in 1991, made the first English translation of Asperger’s text on autism—manage to overlook his Nazi affiliations? Sheffer tells us that Frith chose not to publish Asperger’s preface, which gives a clear indication of his Nazi sympathies. But then the city of Vienna, ever slow to acknowledge its record of active collaboration while pleading its “occupation” under Nazi rule, only memorialized the children who had been killed at Spiegelgrund in 2002. One of its chief euthanizing medics, Heinrich Gross, like Asperger himself, went on to have a successful postwar career.

Starting in the 1960s, the numbers of children with “autism syndrome” diagnoses rose and rose. Nonpsychoanalytic researchers gained prominence in the field and rejected Kanner’s theories about “refrigerator mothers.” Instead they favored measuring behavior to abet epidemiological research and the study of entire populations. What we now call evidence-based medicine, which focuses on statistics rather than individuals, was on its way. An epidemiological study in Britain by Victor Lotter in 1966 showed that autism was to be found in 4.5 of every 10,000 members of the child population. This number kept rising as institutions for the care of the mentally ill were closed throughout the 1960s and attempts were made by governments to integrate all children into the school system.Manfred Bockelmann/© 2018 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn Johann K., who was killed under the Nazis at the Spiegelgrund children’s clinic, Vienna, 1943; drawing by Manfred Bockelmann, 2012

The figures also grew because the definition of autism syndrome now stretched to include children who had never acquired speech and might suffer from various kinds of “retardation.” With this reclassification, by 2006 the reported rate was 116.1 per 10,000. As the historian Bonnie Evans has noted, in France, where institutions for “retarded” children did not close, the numbers of people diagnosed with autism remained small.2

Meanwhile Britain and the US shared experts and evolving descriptive language for a range of behaviors and conditions that fell into the autism spectrum. In the third edition of the DSM, autism moved out of the diagnosis of adult schizophrenia to become a subcategory of “pervasive developmental disorders” (PDD). By the time DSM–IV was published in 1994, the criteria for a diagnosis of autism were “a qualitative impairment in social interaction” and “communication,” plus “restricted, repetitive and stereotyped patterns of behavior, interests and activities”—all setting in before the age of three. The diagnosis also included a delay or abnormal functioning of symbolic or imaginative play.

Asperger’s name first appeared in English-language medicine in 1981, when the British psychiatrist Lorna Wing published an account of a syndrome she named after him, drawing on his 1944 treatise on autistic psychopathy. In that paper, Asperger described children, some of them “little professors,” who lacked the ability to interact with others. “Asperger’s disorder,” a new subcategory of PDD included in DSM-IV, was distinguished by the fact that children showed no delay or deficit in intelligence or cognitive abilities or verbal communication, but like other autistic children exhibited impairments in social interaction and behaved in repetitive and ritualistic ways. Soon, Asperger’s became widely known as the high-functioning end of autism. In the popular media it was variously attributed to nearly all men and certainly all nerdy men: brilliant computer geeks, scientists, husbands who never adequately looked at or spoke with their wives.

It is unclear whether this common usage contributed to Asperger’s disorder disappearing as a separate diagnosis from DSM–V (2013) and being merged into an autism spectrum disorder. (Asperger’s remains in the International Classification of Diseases, which is maintained by the WHO.) We don’t know whether the autism spectrum will eventually emerge as a single neuro-developmental disorder with causes that scientists will track, whether the current pandemic is linked to environment or genes, or whether it’s a single disease at all (rather than a reclassification of various others).

What is clear is that by now the disparate cohort who bear the diagnosis of autism has grown hugely, and that for many such people their diagnoses have had a primary part in their self-definition. For some, this medical identity can urge them toward much-needed special care or special schooling. It can also have, as Sheffer indicates, a negative effect—perhaps like all group identities, which assume similarity where there is substantial difference. This book is dedicated to her son, Eric, who she indicates has suffered from the “act of classification.”

The philosopher of science Ian Hacking has wonderfully described the phenomenon of diagnostic categories “making up people.” A large set of social factors contribute to the popularity of a diagnosis, which in turn creates the lenses through which we see ourselves and others. The growth of the autism diagnosis has been set in motion by patient activism, statistical conflation, websites, blogs, and chat rooms, art exhibitions, provision of services specifically for that diagnosis, media portraits, Web and medico/political campaigns, books such as Andrew Solomon’s prize-winning Far From the Tree, and the attention of talented writer-doctors such as Oliver Sacks. All these combine to create a particular kind of being who, for better or worse, bears an identity that is a medical diagnosis, most often a psychiatric one that at once stigmatizes and destigmatizes. In Rewriting the Soul (1995), Hacking traced the noisy rise of Multiple Personality Disorder. That diagnosis has now all but disappeared.

Sheffer clearly wishes the diagnosis that bears Hans Asperger’s name would disappear, and indeed any “totalizing label based on varying traits” rather than a set of physiological causes. Autism imprisons children in a single classification and affects their being in the world and their treatment by others.

It may be that because of Sheffer’s work, as well as Czech’s, Asperger’s name will disappear from diagnostic classifications and fade from the popular consciousness. Whether that will suffice to dismantle the entire category of autism is doubtful. There are too many vested interests in the campaign for greater recognition, research funds, and services to sufferers. Campaigners, as well as many doctors and psychologists, are vocal in repeating that early diagnosis reduces parental anxiety and children’s loneliness, provides access to special schools, and helps children develop in the best possible way. Until another set of classifications arrives to deal with the considerable challenges that now go under this name, autism will likely be with us.

If I have one cavil with this impassioned book it is that Sheffer, in making her case against Asperger and Nazi mental health policy, perhaps too readily and speedily folds the enthusiastic and necessary reforms of the 1920s welfare state—with its far-reaching hopes of improvement for an impoverished class and hapless children—into the vicious Nazi state. Of the tireless medical reformer Erwin Lazar, she writes that while “seeking to improve the care of children,” he “expanded a system that in time would ultimately control and condemn ‘dissocial’ children.” It is true that a state that prioritizes society and the social good may end up creating an assessment apparatus with norms of behavior that sometimes lead to the ostracizing of those who are different and lack Gemeinschaftsfähigkeit or “community competence.” But this also happens in many states that prioritize individual rights and liberties and have no welfare apparatus whatever. As many countries after World War II have shown, welfare arrangements need not lead a state to do away with its own citizens.
  1. 1
    Eugen Bleuler, Dementia Praecox or the Group of Schizophrenias, translated by Joseph Zinkin (1911; International Universities Press, 1950), pp. 66–67. 
  2. 2
    “How Autism Became Autism: The Radical Transformation of a Central Concept of Child Development in Britain,” History of the Human Sciences, Vol. 26, No. 3 (July 2013). 

Sunday, July 15, 2018

It was liberating to leave the Jehovah’s Witnesses

Apostasy director: ‘It was liberating to leave the Jehovah’s Witnesses’


Daniel Kokotajlo was brought up in the Christian sect. Now his extraordinary debut film casts an acute eye on the religion he turned his back on

Making a film is always, at almost any given moment, difficult-verging-on-the-impossible, and Daniel Kokotajlo’s first feature was no exception. His backers were expectant; his budget was miniature; far too many pages of the script over which he had laboured for so long needed to be filmed every single day. And just like any other tyro director, he brought with him all the usual doubts. Why on earth had he insisted on so many locations? What would it be like to give notes to his star, Siobhan Finneran? However, for Kokotajlo, whose quietly controlled screenplay is rooted in his upbringing as a Jehovah’s Witness, there were other, deeper things going on, too. It took this gentle, softly spoken man from Tameside, in Manchester, 21 days to shoot his film, and in that time his beard turned, somewhat dramatically, from mostly brown to mostly grey. “I lost loads of hair, as well,” he says, placing a hand ruefully on his head. “When we started, I looked about my age, which is 37. By the time we’d finished, I was 10 years older.”

Every day brought with it the feeling of transgression. “Even before the shoot, this was a subject I was uncomfortable with,” he says. “As Witnesses, we were told to avoid literature that was critical of us. We were made to feel it was almost on the level of being satanic. When I first got hold of one of these books, not long after I left the religion, I was literally shaking with fear – and when I started working on this project, that fear came right back.” Perhaps, though, this anxiety was also useful. One of the more remarkable things about Apostasy – and there are many; it’s hard to imagine a more accomplished debut – is its even-handedness, the way it stirs in the audience sympathy for characters whose beliefs most of us might ordinarily struggle to understand. Kokotajlo nods. “I did feel a pressure to be as accurate and as honest as possible. I didn’t want people still in the religion to be able to say: this is just propaganda. I needed it to be right.” Are Witnesses likely to choose to see it? “That depends. They’ll be advised not to. But if they’re curious, they might. There are the rules, and then there’s what people actually do.”

Apostasy is set in Oldham, or a place very like it, and centres on a family of three: Ivanna (Finneran, best known for roles in Happy Valley and Downton Abbey, who is quite superb) and her teenage daughters, Alex (Molly Wright) and Luisa (Sacha Parkinson). Ivanna is a devout Witness; away from her job at the council, she spends her time handing out the Watchtower on the street, or at her local Kingdom Hall, listening to the elders preach about Armageddon, which is coming very soon and with it, paradise. Alex is also committed; though she suffers from a serious blood condition, she has told her doctor that she would not want a transfusion even if it were a matter of life and death (Witnesses believe that those who respect life as a gift from God do not try to sustain it by the taking of blood, a doctrine they have followed since 1945). Luisa, however, has begun to doubt, and will soon, having become pregnant by her college boyfriend, find herself shunned by her mother and the community. The film is about the three women’s faith, and all the ways in which it is tested. But it’s also, par excellence, about the meagre world they inhabit, a realm that is unnervingly quiet (no music or television), frequently joyless (the Witnesses do not celebrate birthdays, Easter or Christmas, regarding such feast days as pagan), and almost entirely controlled by men (the zealous elders, who rule the roost entirely down at the Kingdom Hall).
Siobhan Finneran and Molly Wright in Apostasy.
Siobhan Finneran and Molly Wright in Apostasy. Photograph: Curzon
This is not to say these women are unhappy, precisely; that they feel they’re missing out. Ivanna and Alex, if not Luisa, think of Armageddon, after which the Witnesses will spend eternity in paradise on earth, and feel nothing but excitement, a sense of imminent grace and bliss – and while they may be taciturn with each other, they have pretty regular conversations with God. Did Kokotajlo worry about dramatising these conversations? Didn’t those financing his film (it was funded by iFeatures, which is supported by the BBC, the BFI and Creative England) quail at the prospect of a screenplay in which what Alex says to her doctor, and what she says to God, are given equal weight? He smiles (we’re in a Soho hotel which, metaphorically speaking, couldn’t be further from the things we are talking about). “It was hard to convince them what it would look like. But I also realised, and I think they did too, that I could never get across the mindset of the Witnesses, the cognitive dissonance between what they think and what other people think, in a traditional script. The audience needs to understand the weight of their beliefs, the spiritual pressure they’re under. Because that’s what motivates them.”

Apostasy will arrive in cinemas just before The Children Act, the film adaptation of Ian McEwan’s novel of the same name in which a judge tries the case of a teenage boy who, for religious reasons, refuses the medical treatment that will save his life. Naturally, Kokotajlo has mixed feelings about this. “Why did it have to come out at the same time as ours?” he wails. He doesn’t, though, believe the two narratives have much in common: “It’s an outsider’s book,” he says. “When I read it, I found myself nit-picking. Ex-Witnesses always say: ‘Oh, that’s not quite right.’” What isn’t in doubt, however, is the fact that Jehovah’s Witnesses are still willing to put their lives in the balance by refusing to accept blood. The Jehovah’s Witnesses were founded by Charles Taze Russell in the US in the 1870s, and there are now around 8 million in 235 countries (in the UK, there are 130,000). A group advocating reform of the blood rules believes that in 2016, at a conservative estimate, the prohibition resulted in some 1,220 deaths worldwide; between 1961 and 2016, the same group suggests, more than 33,000 people may have died. “They’ve changed the rules now,” says Kokotajlo. “You are allowed to take various fractions of the component parts of blood. But if you’re in an emergency – a car crash say – that isn’t going to be possible, is it? Your life is still in danger.” He shakes his head. “No, it happens far more often than you realise.”

Kokotajlo studied textiles at Manchester Metropolitan University, after which he spent several years making a living from painting and hip-hop – and it was in this period, when he was sharing a house with friends, that he discovered film: “I had been looking into my Italian-Ukrainian heritage, which comes from my grandparents, so I was already into Fellini and Pasolini. But when I moved in with those guys, one of them was into British cinema. Until then, it had never crossed my mind that there was such a thing as British cinema outside the mainstream. Mike Leigh, Alan Clark, Anthony Asquith, Terence Rattigan, David Lean… That got me interested. I felt like maybe this was something I could do.”

At 27, he left Manchester for a screenwriting MA at Westminster University, a course he funded with his art and a series of bar jobs. Was it helpful? “It was in terms of contacts, moving out of Manchester, and life skills,” he says. “I guess I learned how to communicate with southerners. But then it was a case of: what do I do now?” Eventually, the answer came in the form of a short film called The Mess Hall of an Online Warrior, made for a few hundred quid. “It did quite well at festivals, and I was invited in by Vision Media – the then regional film council – who said they’d fund another one.” It also having done well at festivals, he began developing Apostasy in 2015; by November 2016, shooting was under way. Did he always know his first full-length film would be about the Witnesses? “No, no. no. I worked on a few scripts before it. Maybe I was scared of it. I didn’t want to upset my family.”

Kokotajlo is the oldest of three. His father “did the odd job here and there”; his mother, like Ivanna, worked for the council in housing. “I was eight when she converted,” he says. “She met this very nice old couple who talked to her about paradise and the fact that the end of the world was coming pretty soon, and all our problems would then be fixed. It was very appealing, especially to our family, growing up where we did.” What about his father? “He was not convertible. There’s a pressure, in the Witnesses, for men who convert to bring their wives in, but it doesn’t work the other way round; women can come to the church alone.” Nevertheless, life at home did change. “Our lives as Witnesses were hidden from him. He would get quite angry with my mum, with how long she was spending at the Hall and going out preaching. But we still stopped celebrating our birthdays and Christmas, and we [his siblings and his mother] went to the Hall three times a week for two or three hours.” He was required to witness, knocking on doors and pushing magazines on people, and as a teenager, was terrified of people seeing him walking around Dukinfield, in Tameside, in a suit. Did he miss out on stuff like TV and music? “To some degree. Because of my dad, we were less disconnected from the world than some Witnesses. But if I did, say, watch films that I wasn’t supposed to, I would soon feel guilty about it, and purge myself by giving away all my DVDs or destroying them.”
Did he truly believe? “Yes, though it came down to who was the speaker [at the Kingdom Hall] on the day. Some were better than others, and they could fill you with rapture. Generally, I was very excited because when I was in it, there was still a prophecy going round that people born before 1914 would see Armageddon and the new world. So that meant it was going to come soon – they were getting pretty old by that point. I held out and held out [against any doubts] because I was so excited about this. There were other Witnesses who were quite scared of Armageddon: God was going to remove the rest of the world, and only the Witnesses would be left, and it would be our job to dispose of the bodies as well. But I blocked that stuff out. I just focused on those glorious images – the brightly coloured illustrations they gave us of paradise where you’re hanging out with lions and tigers. I never thought about growing old. I always believed I would never get older than 21. They told us there was no need to worry about this life too much; that’s why you were discouraged from going to college, or even from thinking about it. The Witnesses would all get young again. It was like Peter Pan syndrome, and I’m still dealing with it.”

When did he start to doubt? “It was a very slow process. The first thing I noticed was that I didn’t feel comfortable with the way women were treated. It might have been a wedding ceremony: all the scriptures they were pulling out were about women needing to be capable wives and men being the head of the house; they were using lots of very disturbing phrases. Then I went to college, and that was the key, really. People would ask my opinion on something, and I would be scrambling round trying to find an answer in a text somewhere – because that’s what life as a Witness is like. It’s group thinking based on the interpretation of a text. I looked back at the meetings, and I began to see what was going on.”

What about the prophecies? Wasn’t he sceptical of their tendency to slip and slide? (The date for Armageddon is apt to change whenever the latest deadline passes.) “Well, it’s clever the way they do it. They say they misunderstood the text, but that God has shown them the right way. They now say, for instance, that they got mixed up over the word ‘generation’ – that it’s the current generation who will see Armageddon, so people are excited again because it will happen quite soon. When a dates passes, some people leave because they’re upset. But those who stay only get stronger. There was a big one in 1975, I think. People were selling their houses. Though I only read about it later. When we joined, they’d removed it [ie deleted it from the record] so we had no idea it had happened.”

Kokotajlo, who thinks of himself as an agnostic now, attended his last meeting at the Kingdom Hall when he was 22 or 23; his siblings have also since left the church. How does his mother feel about this? “I’m not sure. I still have a good relationship with her. For a long time afterwards, she would still ask me to come back to meetings; she still does, sometimes. But Witnesses just expect you to come back: it’s like northerners thinking you’re just going through a silly phase of living in the south.” He laughs. Is it still a part of him, though? Surely it must be. “It is, yes,” he says, softly. “I feel like I’ve dealt with it now, having made the film, but it is still a part of me. You’ve got these ideas and values in life. I’m compassionate. I do my best to listen to people. But it’s a tough one: is that the religion, or is that just how I am?” Does he miss the certainty of belief, or is it liberating to be free of it? “It was liberating when I first left. I remember when I first read Darwin. Wow, I thought. This makes so much more sense than the Bible. But then, when we joined the Witnesses, I felt the same way: there was this key to the universe, and everything was clear. There was an elitism in it. All these idiots around us, we thought: they don’t know. I used to feel quite smug, and maybe I’m still looking for that. Perhaps I want to be part of a cult-like group. When I first left, it was about music. Now it’s film.”

How does he feel about Apostasy’s imminent release? “Nervous, excited, proud.” His mother hasn’t seen it, and probably won’t. But at every festival at which it has been screened, he has been touched to see the turnout of supportive ex-Jehovah’s Witnesses. “Some of it is really emotional,” he says. “There have been people who took blood and were then shunned. Even in London, there were people who had been shunned.” As for secular audiences, who will bring to the cinema their own prejudices and misconceptions, perhaps by spending time with Ivanna, they will come to see the world, albeit briefly, through her eyes. Certainly, this is his hope. The squat, bleak, redbrick Kingdom Hall where she worships in the film stands on a dual carriageway, a road that works quite brilliantly as a metaphor, the world zooming past while inside everyone inside sits quite still, waiting for its end. But for all her zealotry, Ivanna is human after all. Her love for her daughters might be horribly muddled, but it is still love, nevertheless.

Sunday, July 08, 2018

Glimpses of a Mass Extinction in Modern-Day Western New York

Glimpses of a Mass Extinction in Modern-Day Western New York

began veering into the rumble strip somewhere near Binghamton. Traffic engineers are lucky that few people know what’s on the side of the highway, but I had been spending time in the dangerous company of geologists—and now I was a rubbernecking menace. This time, I was slack-jawed and lurching on I-86, disoriented by a road cut that placed me somewhere at the bottom of an ancestral ocean three hundred and eighty-five million years ago.

I had already had quite the trip. A short drive on the highway that morning had dropped me from the airless, snow-capped peaks that once towered over New York City, down through a sprawling delta in the tropics where the planet’s first trees rose from the edge of the sea. But the Hudson Valley roughly marked land’s end, and, by now, I had pushed off this secret coastline to head west, and offshore. The red earth that earlier bracketed the highway—rumors of ancient rivers on land—now gave way to gray, banded rocks filled with seashells, where stacks of seafloor piled up, millennia-thick.

“The farther west you go in New York, it’s all marine fossils,” a paleontologist told me before I left. “New York would have been facing into a great continental sea. All the way out to Ohio, it’s all marine.”

This upstate ocean poked out from under farmland, and crumbled from rock walls behind gas stations. In the Devonian period—hundreds of millions of years ago—it was filled with sea lilies, sea scorpions, armor-plated monster fish, forests of glass sponges, and patch reefs of strange corals. At night, these reefs were cast in shimmering chiaroscuro, inviting moonlit patrols of sharks and coelacanths. Where the water met land in eastern New York, dawn revealed fish hauling ashore on nervous day trips—slimy, gasping astronauts under a withering sun.

In the ages since, the tropical inland sea drained away, the continents merged and rifted, and the seafloor turned to stone. As fish conquered the land at last, the ocean was buried and forgotten. Era stretched to eon, and, where there were once croaks of stranded lungfish, sail-backed dimetrodons now groaned confidently across an arid supercontinent. A hundred million years later, these groans gave way to the wails of dinosaurs. And a hundred million years after that—still more dinosaurs. But, all along, in New York, the old seabed lay buried in darkness. Another hundred million years passed.

Then, not long ago, continents of ice planed off the state, removing these untold histories. As the ice retreated, meltwater carved gorges through the ancient seafloor, and sunshine fell on its depths once more. Humans arrived. The elephantine fanfare of the Ice Age went silent, and the highway department chiselled out a few more crags with dynamite. Now shells of a strange vintage tumble from the side of the road across the entire state.

This is the surprising inheritance of New York, where, from Albany to Buffalo—and just beneath the thin, photosynthetic rind of our world—an alien ocean planet, still groping toward the land, is frozen in stone.

In the eastern half of the state, and especially in the Catskills, the pulsing shoreline of this tropical sea wafts back and forth over millions of years—a collage of floodplains, lagoons, deltas, estuaries, and beaches, arrested in the strata and invisible to all but stratigraphers. Three hundred eighty-five million years ago, the first trees in the history of life sprouted along this forgotten coast. One day, after a storm, some of these coastal trees were buried by floodwaters, cast in sandstone, and packaged for safe passage to the far future. A century ago, these fossil tree stumps were uncovered by construction workers in Gilboa, New York, who were quarrying stone for a dam that would eventually drown the Catskills town. Now the village of Gilboa is under a hundred and twenty feet of New York City tap water, and the planet’s first forest is behind the high-security cordon of the New York City Department of Environmental Protection. But branches of these first trees, some of which washed out to sea, can be found elsewhere in the state: behind a Binghamton strip mall, in a retaining wall next to a Starbucks drive-through, I found the ageless twigs embedded in boulders that had been quarried nearby.

The rise of these plants and their invasion of the land ended more than four billion years of continental desolation. The trees invited fish to come ashore and consider becoming tyrannosaurs, humans, and hummingbirds. But this life style, severed from the sea, was still a daydream: the pioneering fish of the Devonian, and the halfway world they inhabited, claim more distance from the beginning of the age of the dinosaurs than the dinosaurs do from our own time.

This onshore world, then, was still a novelty—an absurd one even, for what had always been an ocean planet. And, in the Devonian, it was still provisional. I was interested in that much older, more confident planet long rioting under the surf.

After a few more hours of erratic driving, I dove in around Ithaca.

“It’s paradise,” the Cornell paleontologist Warren Allmon, who agreed to be my dive instructor for the day, said. Allmon killed his engine at the end of a dirt road overlooking Ithaca’s Lake Cayuga.
“I mean, paleontologically, it’s just paradise.”
Allmon directs the Paleontological Research Institution in Ithaca, whose Museum of the Earth houses what it can of the spoils of upstate New York. It wasn’t hard to convince him to spend the day cracking open local rocks, so we hiked down to a stream in the woods that was slowly excavating the ancient seafloor. A large, incongruous block of limestone diverted the stream, and I asked Allmon where it came from. He pointed to an imaginary spot somewhere in the treetops. Compared to the rocks at our feet, this errant stone was still millions of years in the future. And, in the other direction, buried twenty-five hundred feet below us, were giant seams of sea salt from an ancient Persian Gulf millions of years in the past. But, before us, entombed in the banks of the stream, was a mucky tropical sea bottom, where thin, frangible layers of gray siltstone marked the passage of centuries.

“Geologists take it for granted that rock equals time,” Allmon said. “I don’t know of another experience that we all have in our daily lives where a solid substance represents time.”

He took out his rock hammer and unsentimentally laid into the bluffs, splintering the rock into jagged slabs. The rocks revealed a spattering of tiny seashells, swirling burrows, and a hash of body armor and compound eyes. The seashells once housed marine worms called brachiopods, but the burrows were a mystery. As for the armor and eyes, they belonged to trilobites—vaguely technological sea bugs that thrived in the ocean for almost three hundred million years. Before their eternity in the stone, these eyes caught glints of starlight dimly streaming through the murk.

“If you were snorkeling here, there would be really low visibility, not many waves, a storm or two every so often,” Allmon said, gazing out at the woods. “Kind of like the Gulf Coast without a breeze, that kind of thing. I can’t conceive that this was more than a hundred feet deep.”

The mud in these turbid waters was delivered from an epic mountain range in the east, which was then hemorrhaging sediment under the assault of tropical storms and monsoon rains. The Yankee Himalayas were shoved into the sky by eastern New England, long part of an island chain that had rifted off an Antarctic supercontinent and traversed a southern ocean—and which was now crashing into North America. Disoriented by this jumbled geography, I was gently reassured, “We’re still talking about a world in which Pangaea had yet to come together.”

In the course of millions of years, as these mountains wore down, the dissolved rock flushed into the rivers and floodplains of an Appalachian Bangladesh, and on out into the ocean, where it settled on a sinking seafloor, piling up here in the middle of the state, almost two miles thick. Down the road, in Trumansburg, at Taughannock Falls, this tremendous pile of time is visible, if only in part, as a two-hundred-foot wall of piled-up seafloor that frames a wisp of falling white water. Just downstream, at the more modest Lower Taughannock Falls, this giant stack of gray is interrupted by a startling platform of limestone. The dramatic change roughly marks the Taghanic Event—a mass extinction that razed corals, brachiopods, and squid-like creatures stuffed in elegant shells all over the world. It was one of almost twenty global mass extinctions in the history of complex life, a list that includes five cataclysmic outliers, when the planet nearly died, and one that might someday include us. The Taghanic Event was an ancient global-warming disaster, complete with rising seas and oxygen-starved oceans. This is how most mass extinctions unfold. It didn’t quite achieve the peerless horror of the worst five Armageddons in Earth history, but, elsewhere in New York, the rocks do record one such doomsday.

As you drive farther west, and farther offshore, the shallow seabeds of Ithaca grade to outcrops of deep-water black shale that glisten with natural gas. The rocks are greasy with the organic residue of buried sea life, and are now fracked with great enthusiasm. This life sank to the bottom of putrid, anoxic seas that pulsed throughout the Devonian period, burying massive amounts of organic carbon, in wave after wave of extinction. Where West Virginians dig up forests from the Carboniferous period as coal, and Permian sea life spouts from Texas oil derricks, much of the natural gas we frack today comes from the smothering seas of the Devonian extinctions. Spying some of these ominous black shales rising from the side of I-90, and knowing that there was boundary in the rocks nearby marking one of the worst mass extinctions of all time, I pulled off at the nearest exit, walked into the geology department of SUNY Fredonia and poked around for help. I ended up walking into the office of Gary Lash.

In 2011, Lash was named one of Foreign Policy’s “Top 100 Global Thinkers,” earning the nod after estimating that the local Marcellus Shale was the largest unconventional natural gas reserve in the world—a discovery that toppled the board game of global energy geopolitics. The first commercial gas well in the United States, drilled into the marine shales of the Devonian in 1826, isn’t far from Lash’s office. It’s in front of a dentist’s office, marked by a plaque on a rock. A little further down the road, these rocks crop out along Lake Erie, and roughly mark the culmination of an apocalypse three hundred seventy-five million years ago.

The great Devonian mass extinction remains something of a mystery. There were oxygen-starved oceans, fueled by an explosion of massive algae blooms—perhaps even driven by runoff from the land, as the emerging world of trees carried out their massive geoengineering project, greening the continents. Other research adds invasive species spread by surging seas, preposterous volcanoes and extreme climate change to the chaos for good measure. Whatever form this destroyer took, it laid waste to 99.99 per cent of the largest reef systems the world has ever known—the so-called “megareefs” of the Devonian, ten times more extensive than our own. Trilobites, tentacled drifters, fish wrapped in heavy armor—nothing was spared. Lash had his own grisly ideas about the disaster, one involving catastrophic methane releases from the deep and intense global warming.

“It was just a bunch of bad things all converging at once,” he said.
He photocopied a map of the area and pointed me to the extinction exposure in neighboring Dunkirk, New York, on the shores of Lake Erie.
“I wish I didn’t have classes, or I’d go down there with you,” he said.
As I was leaving, he offered some mysterious parting words.
“Have you ever huffed some of the shale?”
He started laughing."

“When you get don there, take a piece of the black shale and break it open. Take a hit of that.”
I followed Lash’s directions and arrived where New York ends, at Lake Erie. It was an odd place. I parked in a field under a coal-fired power plant and strolled onto a sandy beach strewn with Russian zebra mussels and plastic. The beach was framed by hulking blocks of black shale, glimmering with a yellow, sulfurous sheen. Here’s the end, I thought, noting the change in strata from green-gray to deep black, marking the final extinction pulse of the Devonian cataclysm. I picked off a flake of black shale, as directed, and cracked it open in my fingers. It smelled like gasoline.

On the drive up to Ithaca, something was going awry. Rolling hills bursting with green slowly dulled to an unearthly pallor, and road signs normally reserved for traffic alerts now flashed updates about outer space: “SOLAR ECLIPSE TODAY.” I stole a look at the waning sun through my windshield, at some ambiguous risk to my retinae. The missing piece of star was carved out by the same moon that once careened around a Devonian world, its ancient tug evident in the regular layering of seafloor in outcrops along the highway. In the Devonian the moon was ten thousand miles closer, and summoned surging tides that flung fish onto tidal flats, daring them to walk. As a result, the sun rose and fell four hundred times a year, and corals—nestled in lagoons and fringing barrier reefs—registered this ancient astronomy in their skeletons. In Ithaca, Allmon showed me a head of coral from outside Rochester with yearly packages of daily growth lines numbering four hundred. ‘What was that day like?’ I wondered, picking out a line. These reefs were annihilated by mass extinction, and it is believed that our reefs will also mostly die off in the second half of this century.

What came after the Devonian was everything: fish ultimately emerged onto a landscape already furnished by plants, and some of them even spread their fins and learned to fly. But what will come after us? In a hundred million years, the same cratered stone will still be tethered to our planet by space-time, hurling around it at impossible speed. Its moonlight will still shine on the creatures below, but whose eyes will gaze back?